Nicholai Hel, born in the ravages of World War I China to an aristocratic Russian mother and a mysterious German father, raised in the spiritual gardens of a Japanese Go Master, survives the destruction of Hiroshima to emerge as the world's most artful lover and its most accomplished and highly paid assassin. Genius, mystic, master of language and culture, Hel's secret is his determination to attain a rare kind of personal excellence, a state of effortless perfection: shibumi.Now living in an isolated mountain fortress with his magnificent Eurasian mistress, Hel faces his most sinister enemy, a super-monolith of espionage and monopoly. The battle lines are drawn: ruthless power and corruption on one side and on the other, shibumi.
2005 Audie Award Nominee, Solo Narration (Male) "It's hard to imagine a more nearly perfect spy story." (Milwaukee Journal) "Novels about international intrigue demand intricate plotting. Shibumi delivers." (Los Angeles Times)
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This book is for people who like James Bond, Jason Bourne, and all those other super-ninja Gary Stu action heroes fueled by atomic testosterone. Except if you pay attention, Trevanian is laughing at you. Shibumi shamelessly exploits every single cliche in the genre and then sneers at them. Trevanian's mockery of American culture is acidly funny and not particularly affectionate. Sometimes the self-aware satire and the angry derision seem to blend together.
“It was not their irritating assumption of equality that annoyed Nicholai so much as their cultural confusions. The Americans seemed to confuse standard of living with quality of life, equal opportunity with institutionalized mediocrity, bravery with courage, machismo with manhood, liberty with freedom, wordiness with articulation, fun with pleasure - in short, all of the misconceptions common to those who assume that justice implies equality for all, rather than equality for equals.”
So what to make of a book where the main character is named Nicholai Hel? His mother was a Russian aristocrat, he was born in Shanghai, he was raised by a Japanese go master, and in the aftermath of World War II, he becomes the most ninjaest ninja ever. He learns Basque while spending three years in solitary confinement and so he moves to Spain to hang out in Basque country with his Afro-Euroasian concubine who is lovingly described as a collection of all the best body parts from the sum total of her ethnicities.
The plot is your basic revenge thriller: Hel's ties of duty and obligation bring him into conflict with the Mother Company, which is the umbrella organization representing all the world's energy interests and pretty much controls the Western world. In between snappy dialog in which Hel shows off how he is just so refined and Shibumi and shizzle with derision leveled at every Western country (the Brits, the French, the Italians, and the Germans all get it in the neck at some point, but no one more than Americans), there are action scenes where Hel proves he can do everything from cave diving to killing people with playing cards, equally over-the-top sex scenes 'cause of course learning to kill and play go also makes Hel totally awesome at the sexing.
What elevated this book above the schlock it is pretending to be is the vicious satire and the clever writing. Trevanian could write some sophisticated literary pulp fiction. He was having fun while poking his readers in the eye. He plays it straight all the way through: Shibumi reads like you are supposed to take it seriously, but you can kind of hear his snicker echoing in the main character's dialog. I suspect the racism and sexism was part of the performance. This is a Men's Adventure novel for the cynical hipsters of the 70s, back before appropriating Japanese culture was what all the cool kids did and the idea of structuring a killer thriller around the Oriental game of go (yeah, Shibumi uses words like "Oriental" unironically, and also refers to Arabs as "goat-herds" and portrays all the Arab characters as cowardly gay terrorists) made all the literati who wanted to read something a little more masculine than J.R.R. Tolkien groove on Trevanian's way cool, like, deeep understanding of Oriental culture, man.
Sorry, I can't mock Trevanian nearly as wittily as he mocks me.
This was a fun novel, entertaining on multiple levels. It really does have the tone of a literary author slumming in a chanbara cinema.
This is, in my humble opinion, one of the all-time great thrillers, and it stands the test of time exceptionally well. It's rare to find action and thrills and blood and guts mixed so seamlessly with thought-provoking ideas and philosophy, and even more unusual for the ideas in the book to be almost as compelling and fast-reading as the thrills . . . but Shibumi delivers both without ever slowing down the pace or losing momentum. I always hoped Trevanian would investigate these characters and ideas further in other novels, but I've had to satisfy myself by reading Shibumi over and over again in book and audiobook format instead (BTW, thank you Audible for finally carrying this title!). If you like thrillers with just a little more meat on their bones (or characters with a little more character than the typical comic book hero), you're not likely to find a more enjoyable page-turner than Shibumi. They just don't make assassins -- or thrillers -- like this any more.