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Reed Farrel Coleman captivates me. Moe Praeger's a wonderful character, he wanders through tight plots, the supporting cast is always interestingly dimensional and AndyCaploe is a gifted reader. So... Why the "but"? Coleman got a tad preachy in this work. Praeger's internal monologues driven by the looseness of his cultural moorings are more than just a subplot in Redemption Street. Yeah... I understand the book's name and its metaphorical cement to the motivations which explain serious plot twists. But... but... Oy! So much guilt I don't need!
Careful... start with the earlier book in the Praeger series to understand the dark undertone of Praeger's personal culture. I did, now I'm going to find the next in the series. Hey... I told you... VERY GOOD but... The but doesn't keep me from recommending Redemption Street and the additional enjoyment of Andy Caploe's characterizations.
4 of 4 people found this review helpful
As it happens, I read "The James Deans," which is the third book in the Moe Prager series, before reading this, which is the second. I had enjoyed the other, but this one is even better and fills in some holes in the complicated set of personalities and relationships in Moe's life. Coleman's characters are multidimensional, neither entirely evil nor wholly angelic, which not only makes them more realistic but also makes it harder to figure out who is the real villain. I felt the narrator was well-suited to the voices of the characters, also better than the other one.
The plot is also complex and will keep you guessing up until the very end. Coleman is a master story-teller and, even though I felt that, at times, he delved too much into the biographical history of his characters, in retrospect, nearly all these details become important later on. Coleman is a much better mystery writer than many more well known authors. I look forward to the subsequent episodes in this series as well as others from him.
1 of 1 people found this review helpful