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As he settles into an uneasy retirement, Rebus has given up his favorite vices. There's just one habit he can't shake: He can't let go of an unsolved case. It's the only pastime he has left, and up until now it's the only one that wasn't threatening to kill him. But when Rebus starts reexamining the facts behind the long-ago murder of a glamorous woman at a luxurious hotel - on the same night a famous rock star and his entourage were also staying there - the past comes roaring back to life with a vengeance.
And as soon as Rebus starts asking questions about the long forgotten crime, a fresh body materializes. His inquiries reunite him with his old pals - Siobhan Clarke and Malcolm Fox - as they attempt to uncover the financial chicanery behind the savage beating of an upstart gangster, a crime that suggests the notorious old school crime boss Big Ger Cafferty has taken to retirement as poorly as Rebus himself.
As he connects the mysteries of the past to those of the present, Rebus learns - the hard way - that he's not the only one with an insatiable curiosity about what happened in that hotel room 40 years ago and that someone will stop at nothing to ensure that the crime remains ancient history.
A twisted tale of power, corruption, and bitter rivalries in the dark heart of Edinburgh, Rather Be the Devil showcases Rankin and Rebus at their unstoppable best.
Customer ReviewsMost Helpful
By Meg E Dobson on 02-27-17
Multiple Characters Makes for Narrator Challenge
This narrator's voice has always been a challenge, but in this novel he's been stretched beyond his abilities I fear. Before it was a delightful color touch to a Scotland based series.
In this case, I turned the narrative speed to 50% and I still struggled This was especially true as we weaved between multiple scenes with varying characters involved. Only in scenes with Clark, Rebus, and Cafferty did I immediately know who was in the room with me. It was terribly disconcerting. I had to flounder for minutes to figure it out. Is this the resder's or the author's fault?
I determined it was the lack of character voices chosen (or not chosen) by the narrator to distinguish them from each other. They sounded so much alike at each scene beginning.
Rankin left several threads unanswered but that is the author's right and I am okay with that.
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