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Publisher's Summary

Ten years ago, Paul Giacomin's corrupt father and loose mother used the boys as a pawn in their violent race: Only Spenser could call them off and straighten out the misled teen - almost getting killed in the process. Paul is now 24 and reconciled to his mother's wanton ways. But when Patty Giacomin vanishes, Paul begs Spenser to help him rescue her from the clutches of her boyfriend, a shady character he's sure coerced his mother into running.
As Spenser - accompanied by Paul, Susan Silverman, and the redoubtable Hawk - follow Patty's trail to its astonishing conclusion, he is led back through Paul's own rites of passage to the lanes of his own memories. The boy Spenser was and the man Paul must become race toward a confrontation that may break their hearts...and threaten their lives.
©2013 Robert B. Parker (P)2013 Phoenix Books, Inc.
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Customer Reviews

Most Helpful
2 out of 5 stars
By Me & My Girls on 07-02-15


David Dukes ruined a book in one of my favorite series' with his monotone narration and his propensity to mispronounce every word more complicated than Hawk. Paul Giacomin was a huge disappointment in this book as well. Parker went way too far to create the juxtaposition in the father son relationships between Spenser and Paul and the Broz's Joe and Gerry. Paul develops a sudden anxiety about his mother that had been absent in previous books including his introduction in Early Autumn. He also reverts to being almost as diffident and whiny as the fifteen year old train wreck he was then. Still this one was a pretty decent book and with Joe Mantegna as the narrator it would have been an enjoyable listening experience; unfortunately it's quite likely that this reader could screw up the best or simplest literary work.

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4 of 4 people found this review helpful

3 out of 5 stars
By Amazon Customer on 04-21-13

I love Parker but...

First, the narrator was completely wrong for this. Susan's voice made me cringe every time I heard it. Hawk's voice, forget about it. This sequel compared to Early Autumn, was very weak. It seemed like an experiment by Parker. Overblown description was cringe-worthy too. I liked Paul better when he was ten years younger, and had a real reason to act pathetic. All he did here was whine like a baby about how it hurt, and after Spencer had trained him. I didn't feel it the pain. The pieces didn't add up and it seemed mellow dramatic. The real gift Parker had generally, was how his books didn't seem mellow dramatic when they could easily have, or should have in the hands of another writer. This book showed how Parker was balanced on the razor's for most of his books, and pulled off regularly. This one made me appreciate the fine craft in his other works, and his ear tuned like a master French Horn player.

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2 of 2 people found this review helpful

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