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I enjoy Horowitz and his screen writing for TV with a particular favorite being the program Foyle's War. Much of this novel reads like a screen play with a great deal of external detail about the setting and the movements of this absolutely huge cast of characters.
However my biggest concern was that there wasn't enough internal detail, or character development to help me feel connected to the story being told. After all, we don't have the likes of Michael Kitchen or Honeysuckle Weeks to encapsulate pages of writing into one very succinct glance, look or reaction filled with meaning. Actors can really add to the back story in a screen play and help flesh out the characters and add depth to the story being told. Without them the writer needs to work to find a way to engage the reader with solid sparkling characters we can actually care about.
I thought the narration was good and added positively to the listening experience. The two readers worked well.
Be aware that this book is really best for diehard fans of the Christie or Sayers style of British mysteries. I did keep listening and stuck with it to the bitter end but I thought it felt a bit empty and dragged in parts. Proceed with caution.
112 of 122 people found this review helpful
This is a book within a book, a fictional detective story in a small British village bookended by a mystery involving the author and editor of that detective story. Both have very unlikable characters (the detective, and the author), and both take a long and winding path to get to solutions that aren't very interesting or surprising. Not bad, exactly, but far from good. Average stories with atypical packaging are still average stories.
18 of 21 people found this review helpful