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I enjoy Horowitz and his screen writing for TV with a particular favorite being the program Foyle's War. Much of this novel reads like a screen play with a great deal of external detail about the setting and the movements of this absolutely huge cast of characters.
However my biggest concern was that there wasn't enough internal detail, or character development to help me feel connected to the story being told. After all, we don't have the likes of Michael Kitchen or Honeysuckle Weeks to encapsulate pages of writing into one very succinct glance, look or reaction filled with meaning. Actors can really add to the back story in a screen play and help flesh out the characters and add depth to the story being told. Without them the writer needs to work to find a way to engage the reader with solid sparkling characters we can actually care about.
I thought the narration was good and added positively to the listening experience. The two readers worked well.
Be aware that this book is really best for diehard fans of the Christie or Sayers style of British mysteries. I did keep listening and stuck with it to the bitter end but I thought it felt a bit empty and dragged in parts. Proceed with caution.
114 of 124 people found this review helpful
Wow, this was fun!! And SO different; I’ve never read/heard a whodunnit within a whodunnit before. Anyone interested in writing, editing, publishing, murder mysteries, Agatha Christie, British cozy mysteries, or detective fiction would love it. Both narrators are excellent; I was a big Allan Corduner fan before (he plays Arthur Sullivan in Topsy Turvy, Mike Leigh’s wonderful movie about Gilbert and Sullivan), but I had no idea he could perform an enormous multicast singlehandedly, and Samantha Bond delivers flawless narration also. Many thanks to the reviewers I follow, especially Janice Katz and Wild Wise Woman, for recommending it. It would be a 5-star listen across the board, except that, as reviewers Constance Jenkins and Midwesterner have noted, there are a couple of eye-rollingly bad, antifeminist cliches at the very end. Oh, well. You can’t have EVERYTHING, and I’m still recommending this audiobook to practically everyone I know. Grade: A.
6 of 6 people found this review helpful