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Officer Denny Rakestraw, "Negro officers" Lucius Boggs and Tommy Smith, and Sergeant McInnis have their hands full in an overcrowded and rapidly changing Atlanta. It's 1950, and color lines are shifting and racial tensions are simmering. Black families - including Smith's sister and brother-in-law - are moving into Rake's formerly all-white neighborhood, leading some residents to raise money to buy them out while others advocate a more violent solution. Rake's brother-in-law, Dale, a proud Klansman, launches a scheme to rally his fellow Kluxers to save their neighborhood. When those efforts spiral out of control and leave a man dead, Rake is forced to choose between loyalty to family and the law.
He isn't the only one with family troubles. Boggs has outraged his preacher father by courting a domestic, and now her ex-boyfriend has been released from prison. As Boggs, Smith, and their all-black precinct contend with violent drug dealers fighting for turf in new territory, their personal dramas draw them closer to the fires that threaten to consume Atlanta once again.
With echoes of James Ellroy and Denis Lehane, Mullen demonstrates in Lightning Men why he's celebrated for writing crime fiction "with a nimble sense of history...quick on its feet and vividly drawn" (Dallas Morning News).
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By Joseph Kucharski III on 11-08-17
A Little Too Much
Thomas Mullen certainly gives his readers the service they want with Lightning Men. Building off the previous novel, Darktown, Mullen goes deeper into the plight of Boggs and Smith and their careers as Atlanta’s first African-American police officers. He builds on the story of Officer Denny Rakestraw, a white officer who is not totally opposed to the idea of black officers, but finds himself living in a transition town – white suburbia now threatened to become another Darktown. Mullen’s plot twists and turns with real estate deals, moonshine and marijuana, and tensions between the always-incompetent KKK and their threatening successors, the Colombians. All and this more is breached cover-to-cover in one of the very few times that the old adage once made famous by Sir Mick about too much never being enough is unfortunately not true as Lightning Men suffers from that dreaded curse of sequelitis.
You know, that stigmata is not entirely fair. Lightning Men is a compelling, well-written, and highly entertaining read. Mullen fleshes out 1950s Atlanta and presents the attitude of the city and the blatant bigotry throughout. Mullen digs deeper with his plot, tying various, complicated threads to key characters and letting the reader watch it all unfold. Yet, some of this plot is too obtuse. The map presented sprawls and rambles as long and as wide as Peachtree Street. Maybe Mullen binge watches Game of Thrones and as such, gives too much importance to the B-, C-, and D-story arcs, thus taking away the importance – and the very relevance – of the A-story. Crime novel readers don’t want a ramble down a shady lane in the sun. They want a punch to the gut. Hard punches. With a blow to the nose and a killer uppercut to knock you out. Lightning Men doesn’t have enough punches, but plenty of weaving and feints.
Lightning Men is a worthy follow-up and is successful in structuring, then embellishing, the characters’ arcs. However, too many new characters are introduced and with that comes a level of convenience in working the plot around these new characters and as a result, the story suffers.
Just a little. And just too much.
But not enough to keep me away from my next visit to Darktown.
4 of 4 people found this review helpful
By dustmouse5 on 04-12-18
Excellent follow-up to Darktown
This is a complex and interesting novel/mystery The context is fascinating: the first African-American policemen in Atlanta in the 1940s and 1950s. The characters include black and white Atlantans from a variety of backgrounds. White neo-nazis (the lightning men), KKK-ers, black vets of WWII, white people trying to do the right thing; good policemen, and corrupt policemen. The women characters are complex as well. Thurgood Marshall has a cameo here! I wonder if he'll show up in the next one.
The narrator, Yahya Adul-Mateen, has a lovely, deep voice but unfortunately doesn't make any effort to distinguish one character from another. Sometimes I wasn't sure who was speaking. Maybe I've been spoiled by some of the great narrators I've heard here: the brilliant Gerard Doyle being my favorite but also Simon Vance, Davina Porter, and more.
1 of 1 people found this review helpful