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The danger isn't all in your head.
Growing up, Kate Priddy was always a bit neurotic, experiencing momentary bouts of anxiety that exploded into full-blown panic attacks after an ex-boyfriend kidnapped her and nearly ended her life. When Corbin Dell, a distant cousin in Boston, suggests the two temporarily swap apartments, Kate, an art student in London, agrees, hoping that time away in a new place will help her overcome the recent wreckage of her life.
But soon after her arrival at Corbin's grand apartment on Beacon Hill, Kate makes a shocking discovery: his next-door neighbor, a young woman named Audrey Marshall, has been murdered. When the police question her about Corbin, a shaken Kate has few answers and many questions of her own - curiosity that intensifies when she meets Alan Cherney, a handsome, quiet tenant who lives across the courtyard, in the apartment facing Audrey's. Alan saw Corbin surreptitiously come and go from Audrey's place, yet he's denied knowing her. Then, Kate runs into a tearful man claiming to be the dead woman's old boyfriend, who insists Corbin did the deed the night that he left for London.
When she reaches out to her cousin, he proclaims his innocence and calms her nerves, until she comes across disturbing objects hidden in the apartment - and accidently learns that Corbin is not where he says he is. Could Corbin be a killer? And what about Alan? Kate finds herself drawn to this appealing man who seems so sincere, yet she isn't sure. Jet-lagged and emotionally unstable, her imagination full of dark images caused by the terror of her past, Kate can barely trust herself. So how could she take the chance on a stranger she's just met?
Yet the danger Kate imagines isn't nearly as twisted and deadly as what's about to happen. When her every fear becomes very real.
And much, much closer than she thinks.
Told from multiple points of view, Her Every Fear is a scintillating, edgy novel rich with Peter Swanson's chilling insight into the darkest corners of the human psyche and virtuosic skill for plotting that has propelled him to the highest ranks of suspense, in the tradition of such greats as Gillian Flynn, Paula Hawkins, Patricia Highsmith, and James M. Cain.
Customer ReviewsMost Helpful
By Bette on 01-27-17
Sometimes the Narrator Elevates the Story
I have GOT TO STOP buying into this irritating rash of 'clever modern thrillers with a twist' a'la 'Gone Girl'. They are not clever and not thrilling. The heroine of Her Every Fear makes some astonishingly stupid choices while writer Swanson tries unsuccessfully to support the pathology behind those choices.
Narrator Eva Kaminsky's superb style and perfect pacing propelled me through what - in other hands- might easily have been a 'return unread'.
I'm going back to Tey, Hightower, Levin, Vine, Rendell; writers who knew how to twist the knife (and the plot).
57 of 58 people found this review helpful
By Meg on 01-20-17
I bought this book based on the author's previous work which I found entertaining.
This book is told from multiple perspectives which I really enjoy. This author does this very well as he doesn't just have multiple characters recount the same events/circumstances over and over again. Each perspective adds another layer of character development, intrigue, and mystery.
This isn't a great book as there are some crater-sized plot holes one has to overlook, but I think it's extremely entertaining and well written. The narration is also very well done.
14 of 15 people found this review helpful