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Publisher's Summary

The extraordinary new Lucas Davenport thriller from number-one New York Times best-selling author and Pulitzer Prize winner John Sandford.
The night after the fourth of July, Layton Carlson, Jr., of Red Wing, Minnesota, finally got lucky. And unlucky.
He’d picked the perfect spot to lose his virginity to his girlfriend, an abandoned farmyard in the middle of cornfields: nice, private, and quiet. The only problem was...something smelled bad - like, really bad. He mentioned it to a county deputy he knew, and when the cop took a look, he found a body stuffed down a cistern. And then another, and another.
By the time Lucas Davenport was called in, the police were up to 15 bodies and counting. And as if that wasn’t bad enough, when Lucas began to investigate, he made some disturbing discoveries of his own. The victims had been killed over a great many years, one every summer, regular as clockwork. How could this have happened without anybody noticing?
Because one thing was for sure: The killer had to live close by. He was probably even someone they saw every day....
©2014 John Sanford (P)2014 Penguin Audio
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Customer Reviews

Most Helpful
5 out of 5 stars
By Ed on 06-26-14

Sandford and Ferrone deliver

What I like about the Prey series is John Sandford's ability to continually create some pretty evil guys. He doesn't disappoint in this installment with the really oily dynamic duo of Horn and R-A. Neither of them have anything even resembling a redeeming social value. They are perfect bad guys. Sanford also introduces a new character, who I hope will appear in upcoming installments. Catrin Mattsson had a baptism of fire in this novel and is deserving of a Virgil Flowers kind of spinoff. I hope we at least see her in future Prey offerings. Finally, Richard Ferrone made this story come to life with his dead-on vocal interpretations. A musician could read music and lyrics from a new song and have an idea of what the finished product would sound like. But hearing the instrumentation and vocals would, for most of us, make for a better experience. Same goes with Audible books. Reading them would be fun but listening to them is much better. And with a narrator like Ferrone, the experience is kicked up a notch. A five-star winner. Keep 'em coming.

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24 of 27 people found this review helpful

5 out of 5 stars
By gone2ground on 05-19-14

It Doesn't Get Better Than This

I have been reading/listening to the Prey novels since their beginning, back in the eighties, and for me, this was the most engrossing, the most maddening of them all. The whole novel felt like that exciting point that all the Lucas Davenport novels move toward, when all the figuring, all the questioning, all the digging suddenly starts to reveal what is what and who is who, and the action becomes a mad dash or avalanche towards the uncertain and usually pretty dicey ending. I guess one thing that made me feel that from the very beginning was the action of a very strong female character, responding to being attacked bound, and driven off into the night. I felt truly exhilarated by this beginning, and I rarely lost that sense of involvement, as the action and characters developed throughout, "Field of Prey."

I have always found that Sandford creates strong and complex women in his Prey books, and they are even stronger in this one. His daughter, Letty, in particular, is so enjoyable in this installment, that I am now hoping she completes her time at Stamford and comes back to the twin cities, to work with Lucas, a lot sooner than four years from now. I admit it, I have to remind myself, now and then, that these people are not real, I have been reading about them for so long. Yes, all the gang are here: Dell, Virgil, Sandy, Lucas's childhood friend, the psychologist nun, and of course, those responsible for something like twenty years worth of the disappearances and murders of young blonde women.The familiar voice of Richard Ferrone , with its tough guy edge, always adds to my enjoyment. Whoever chose him for the Prey series created a perfect marriage.

When I listen to the decisions Lucas makes, unaware of the big picture that Sandford shares with us, I feel like a kid at the matinee, wanting to shout out, "What the hell are you doing? Turn around; do not go home before you question that creep!" I say no more. No spoilers here. Oh yes, I loved this installment of Sandford's Prey series. What a great read!

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10 of 11 people found this review helpful

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