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Kate loves her life. At 44 she's happily married to her kind husband, Ron, blessed with two wonderful children, and has a beautiful home in San Francisco. Everything changes, however, when she and Ron attend a dinner party and meet another couple, Peter and Jill. Kate and Peter exchange only a few pleasant words, but that night, in bed with her husband, Kate is suddenly overcome with a burning desire for Peter.
What begins as an innocent crush soon develops into a dangerous obsession, and Kate's fixation on Peter results in one intense, passionate encounter between the two. Confident that her life can now go back to normal, Kate never considers that Peter may not be so willing to move on.
Not long after their affair, a masked man barges into the café Kate is sitting in with her best friend, firing an assault weapon indiscriminately into the crowd. This tragedy is the first in a series of horrifying events that will show Kate just how grave the consequences of one mistake can be.
An explosive story of infidelity, danger, and moral ambiguity, John Lescroart's latest thriller will excite and satisfy both his current and new fans.
Customer ReviewsMost Helpful
By Richard Delman on 02-04-17
How does this guy keep doing this?
If you could sum up Fatal in three words, what would they be?
What a silly question. (That's four.) Fatal is a stand-alone mystery that has some connections to the Dismas Hardy-Abe Glitsky books. Mainly the San Francisco Police Department. The writing is once again masterful, the plot is full of twists and turns, with perhaps too many killings but these are forgiven as they move the plot along. The characters are fully human, not one-dimensional, and their relationships are alive with good and bad feelings, and everything in between.
What did you like best about this story?
The layering of so many relationships. The complexity of the cop Beth and her best friend Kate: what goes on between them is fascinating. The character Peter Ashe is also central to everything in the book. I also loved the narration. David Colacci has read most of the Hardy-Glitsky novels; I had never heard Jacques Roy before, but he does a truly great job here. He is wonderful at tenderness, which is uncommon in this genre. I hope that female readers will like him. I know that the genre is mostly written for men, although I have women friends who very much enjoy these books as well.
What about Jacques Roy’s performance did you like?
As above, he has many of the skills that the best narrators possess. I don't know if he has had training in acting, but he sounds like he has. He knows how to use silence, which is much more important than people often see. We tend to take it for granted, but dialogue is much better when it includes the wise use of pauses and changes of pace.
Was there a moment in the book that particularly moved you?
There are quite a few. Many of them occur in the second half of the book. The terrorist attack is in the middle, and the book uses this point as a kind of breakwater. Much of what follows stems from it, but some of the action stems from Peter's promiscuity. Many of the conversations are quite moving, as is the case when love and sex drive the action.
Any additional comments?
My appreciation of Mr. Lescroart's talent and creativity grow as time passes. I hope you enjoy these books, as they make for fine entertainment.
18 of 20 people found this review helpful