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Ok book, definatly not a page turner. The weird music that cuts into the story at times is because this book was first made as a book on tape. The music lets you know its the end of the tape and not the end of the story. When it was transferred to digital file the music was not edited out. Hope this helps.
4 of 4 people found this review helpful
Let me say first, I'm a HUGE fan of J. A. Jance. I've read most of the print copies of her gazillion books, and have purchased eight of her audiobooks, mostly the Johanna Brady series. This was my second Ali Reynolds -- which is a good thing: if I had listened to this one first, I never would have bought another.
First of all, this has to be one of the worst-produced audio books I've ever listened to. At random moments, some peppy, jazzy, supposedly uplifting elevator music interrupts the reading, sometimes drowning out the narrator's voice. It's so inappropriate - what on earth was someone thinking?? It's not chapter divisions, one such interruption was mid-sentence. Totally weird -- and completely destroys whatever mood the book was building toward.
Then too, much of this book is told in the form of blogs, which might work well on paper, but in an audiobook, not so much. Listening to the narrator's letter-reading voice has a limited appeal - nothing happens, no action or interaction with someone else, just pretty darn dry statements of opinion and articulation of thoughts.
Finally, a word for authors out there, even really really good ones, like Jance: Perfect people get pretty boring after awhile. It's all well and good to create a laudable character -- not ALL protagonists have to be "flawed". But there has to be a limit. If I wanted to engross myself in completely selfless behavior, I guess I'd opt for Butler's "Lives of the Saints" instead. At least those were real people. Just how perfect is our multi-fired, multi-sued, widowed, about to be divorced nee widowed girl, who always-and-forever puts everyone else on the planet's wishes ahead of her own? One example: a consummately evil man has broken into her home and is beating her to death. In the last possible second, she breaks away, gets her gun, and shoots him to death. Then we have to put up with an agony of soul searching, as Ali beats her breast over what she did to the man's MOTHER -- not anyone she knew, of course, just the woman who had given birth to this monster. "What must she be feeling? I killed her son!" Ali ponders.... well, I don't know what the mother was feeling, assuming she felt anything at all. But I guess if it were me, having marginally survived such a brutal attack, I really don't think fretting about his mother would be at the top of my list of worries -- but then, I'm not a saint. Thank Gd.
All this is overlaid with Ali's (more understandable) agonizing over the supposed suicide of her best childhood friend. She feels guilty for not having... well, you can imagine. Bottom line: too much agonizing, too much introspection, too many selfless goody-goody acts from a woman who, supposedly, was once a nationally-famous news reporter, who absolutely MUST, at some point, have kicked serious butt to have attained THAT.
One good thing: we get to find out where Sam the cat comes from, which solves that mystery. As for the rest of it, give this one a pass. The subsequent Ali Reynolds books are pretty good. I guess this was just the practice book.
7 of 8 people found this review helpful