Jack Reacher, alone, strolling nowhere. A Chicago street in bright sunshine. A young woman, struggling on crutches. He offers her a steadying arm. And turns to see a handgun aimed at his stomach.
Chained in a dark van racing across America, Reacher doesn't know why they've been kidnapped. The woman claims to be FBI. She's certainly tough enough. But at their remote destination, will raw courage be enough to overcome the hopeless odds?
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stupedously silly enjoyment
Lee Child is a genius at taking all the tropes of an action movie, and of a ridiculously competent action lead, and making them feel believable and grounded. Reacher is somewhere between Rambo and Sherlock Holmes in his ability to work out whats going on and deal with it in the most efficiently violent way possible. What helps the reader suspend their disbelief is that nothing in these books is vague; everything is meticulously explained. But Child doesn't drily regurgitate his research, he writes with a crisp, spare, lively style. The pacing is also excellent, the tension never letting up as we track the movements of the several parties involved. The various mysteries and cliffhangars threading the book are maintained expertly. Child is a master of leaking information to the reader in one subplot just as it will affect them most because of what's going on in the other subplot. The supporting cast are well sketched enough to keep easy track of, and to feel genuinely attached to in many cases. In this outing, Holly Johnson serves as Reacher's point woman, emerging as perhaps more impressive than even Reacher.
This is definitely one I'd reccommend unabridged. The plot is ruthlessly lean in any case. I also think action thrillers like this are particularly great for audio. Listening to a Reacher as you get on with your work is like watching a movie without the inconvenience of having to look at a screen. Some books you want to immerse yourself in the lyrical language on the printed page. Listening on audio, you might not get to wallow in the beauty of the descriptions, and the beautifully-crafted lines of dialogue might be coloured by indifferent performances. A Reacher is not a book that you have to worry about this.
John McClain gave a thoroughly creditable performance. His tone was laconic, but engagingly varied (on another Reacher novel the reader's habit of giving every line the exact same intonation began to get to me). McClain's voices for each character were suitable (if a little extreme sometimes - the bad guy sounded like both Mickey Mouse and Michael Jackson at points, and General Garber's overly gruff bark made me burst out laughing), and largely consistent. I did feel McClain got a bit mixed up at a few points and ascribed the wrong voice to a the wrong character, or accidentally carried a character's voice over into his narration. But these were rare instances within a very enjoyable performance.
A Riviting Listen