Imagine this: You have a nice life. You love your beautiful, successful wife. You’re an easygoing guy working out of your comfortable Connecticut home. The world is an interesting, pleasant place. Then in seconds, it’s all gone. You’re still alive, but the world thinks you’re dead. And now you have to decide: Make it official, or go after the evil that took it all away from you.
Arthur Cathcart, market researcher and occasional finder of missing persons, decides to live on and fight by doing what he knows best - figuring things out without revealing his status as a living, breathing human being. Much easier said than done in the post-9/11 world, where everything about yourself and all the tools you need to live a modern life are an open book. How do you become a different person? How do you finance an elaborate scheme without revealing yourself? How, as a dead man, do you force a reckoning with the worst people on earth?
Mystery writer Chris Knopf, who has examined complex what-ifs in eight other novels, tackles these intriguing questions in a tale of mindless venality, phantom identity, impossible obstacles, and the triumph of intellect and imagination over brute force.
Chris Knopf’s mysteries have received exceptional accolades, with critics comparing him to Elmore Leonard, John D. MacDonald, and Ross Macdonald.
"Knopf…reaches a new imaginative peak with market researcher Arthur Cathcart in this outstanding revenge novel." (Publishers Weekly)
"Dead Anyway is a perfectly rendered murder mystery with enough unpredictable twists and turns to satisfy even the most hardened aficionado of the genre. Dry humor is scattered throughout. This offbeat story told in the first-person is executed with faultless page-turner pacing and panache." (New York Journal of Books)
"Knopf’s tale is suspenseful from the get-go, with an intellectual, yet visceral, vigilantism coursing through the pages. In a major change in direction, the author of the Sam Acquillo Hamptons mysteries never misses an angle and manages to weave a bit of humor into a storyline that could have been purely dark. This bodes well for a really good series and is reminiscent of Richard Stark’s (a.k.a. Donald Westlake) Parker novels with a dose of Grosse Pointe Blank." (Library Journal)
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