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From the blurb, I thought I would love this novel, as I am a big fan of British mysteries, especially police procedurals. However, I never really related to any of the characters and there was no "mystery," as we are introduced to the villain's point of view (POV) early on. The shifting POV was a bit jarring occasionally (from victim to police to villain to witness and back to police) and the narrative voices seemed a bit unrealistic at times.
Despite the choppy writing and the underdeveloped characters, I would probably purchase the next book in this series, as I believe the writer will continue to improve her product.
Lucy Price-Lewis, the narrator, did a good job of differentiating the many characters.
6 of 6 people found this review helpful
I couldn't make it through the entire book. The writing seemed simplistic and the narration bad. I don't like when the narrator changes their voice dramatically by character, especially when a woman puts on a deep voice for a mans character and an East End accent that sounds so fake.
1 of 2 people found this review helpful
If this book wasn’t for you, who do you think might enjoy it more?
It is hard to say
Has Cut Short put you off other books in this genre?
Would you be willing to try another one of Lucy Price-Lewis’s performances?
Yes, but not another book by this author
You didn’t love this book--but did it have any redeeming qualities?
Any additional comments?
I am a great fan of crime/thriller books with a police procedural aspect to them but I have to say that, probably, this is the poorest such novel I have listened to for quite a long time. I feel this way for three reasons:
Firstly, I think the choice of a character with both learning disability and serious chronic mental illness as the murderer is ethically questionable. There is quite a lot of ‘How can we stop mentally ill people from going round murdering people?’ type of hysteria in the public media, when, the fact is that people with learning difficulties and mental illness are significantly less likely to be murderers than people without such disorders. The reality is that one is much more likely to be murdered by a sane person than a mad one. People with mental and learning problems have had to fight very hard to combat the stigma that has attached to such disorders in the past. Books like this exploit these vulnerable people and set back the cause of normalising mental health issues. Furthermore the author shows a very inadequate understanding about how people with serious chronic mental illness are looked after in the community.
Secondly, the quality of writing in this book is not very good, to say the least. Someone in another review described it with the phrase ‘...GCSE level...’ I would very much agree with that. Much of it has the literary quality of a very average adolescent school essay. Examples of ‘he said...she said...then they said..etc’ type dialogue and description, together with unnecessarily repeated actions and phrases, abound throughout the book.
Thirdly, there is very little real character development. None of the protagonists in the story really come to life in any sustained way. There are ‘stubs’ of side stories such as the graffiti attacks on Geraldine’s home and car, possible drinking/alcoholism issues with her boss the DCI, and the inclusion of a former rock superstar, and his daughter’s love life, but none are properly developed or embedded in the overall narrative in a way that makes real sense of why they are included.
4 of 4 people found this review helpful
There's nothing wrong with this debut, it is written well, the plot is paced nicely and well it just is, I neither feel its good or bad and I could not get behind any of the characters they where grey and a bit drab, feeling nothing but ambivalence to the whole story. Saying that I am going to read more I just hope Geraldine's character grows a little more interesting with surrounding characters growing with her..
2 of 2 people found this review helpful