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Anna isn’t in town long before she crosses paths with a tenant of Geneva’s, a creepy guy named Jordan. She discovers what seems to be an attempt to place a curse on her – a gruesomely killed pigeon marked with runic symbols – and begins slowly to find traces of very dark doings in the heart of post-Katrina New Orleans. Tied up in all of this evil magic are Jordan, who is not at all what he appears to be; a fugitive mother accused of killing her husband and daughters in a fire; and faint whispers of unpleasant goings-on in the heart of the slowly recovering city.
Now it will take all of Anna’s skills learned in the untamed outdoors to navigate the urban jungle in which she finds herself, to uncover the threads that connect these seemingly disparate people, and to rescue the most vulnerable of creatures from the most savage of animals.
Customer ReviewsMost Helpful
By Ilah on 08-19-10
Bring other narrator back!!!!
Although I don't love the dark hole Nevada Barr seems determined to shove Anna into, I still enjoyed the latest book in the series. I agree with another reviewer who begged Barr to take Anna back into the wild. Part of the charm of her books is the scenery the non-city National parks afford (her Liberty Island book had similar issues for me). My biggest issue was the change of narrator. Joyce Bean did OK, and it sounded like she had listened to Rosenblat and was imitating her style. But Rosenblat IS the voice of Anna. I can't stand it when series like this change narrator. For those of us who listen to all the books, part of the attraction to the series is Rosenblat's voice.
18 of 18 people found this review helpful
By Pamela Harvey on 08-07-10
Not the usual Nevada Barr
I found this book a difficult read mostly because of the story line. Well, you know what they say about expectations, right? I was expecting another whodunit where Anna Pigeon negotiates the staff and incidental characters who populate one of the national parks. Her stories are always resplendent with details of the natural setting, giving an authentic and integrative feel to the narrative.
This is another type of story altogether. Looks like Barr has abandoned the good old-fashioned linear narrative and uses a more artsy, impressionistic delivery. This seems to be in vogue, as most of the books I've read lately use this technique. While I am sure this makes great sense from the author's point of view, and certainly from an aesthetic point of view, however, it does not make for enjoyable reading, nor does it offer character development. Hard to tell what was actually going on half of the time. Just present-tense impressions and inner dialog.This might work for a painting, since it is mostly texture, but it doesn't work for me in a story.
21 of 22 people found this review helpful