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What disappointed you about Bolero?
The cliched gathering of comrades for the main character, the rich doctor/mentor, the savant/researcher, the buddy/detective along with the private investigator with a sordid past were one of the weakest aspects of this story. Additionally, far too much time was spent bemoaning the main characters sad lost love. The weakest point of all is the lack of momentum. Since almost all the action occurs either in the past or "off-page" there is no excitement, no tension, no need to keep reading/listening because it doesn't feel like the story is trying to go somewhere.
Has Bolero turned you off from other books in this genre?
Did the narration match the pace of the story?
If you could play editor, what scene or scenes would you have cut from Bolero?
As editor, I would delete all of the flash-back chapters about the main character's old girlfriend as well as almost all the long, tiresome paragraphs of her throughout the book. They merely slow down the pace of the story and are so cliched that they don't contribute anything towards making Nick a unique or interesting protagonist.
1 of 1 people found this review helpful
The storyline got engaging about one fourth of the way into it. The ritualistic hard boiled detective: snarling questions, gratuitously withholding information from the cops, falling in love with the beautiful endangered client while having a committed relationship, having painful physical scars from past cases. This book hit all the obligatory noirish points.