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I thought the last couple of novels in this series (The Blood of an Englishman; Dishing the Dirt) were rather too frenetic, with outlandish plots, and with Agatha a thin caricature of her former self, sizing up every new male that she meets as a possible mate. That feeling is even more intense in this new one, where plot, motive and character seem to have gone to the wall in favour of pure 'activity', with Agatha and Toni separately driving endlessly from one location to another in search of a lead. (A lead to what? Who knows, as I forgot the so-called plot lines after Chapter Two.) So this story becomes just a dizzying cavalcade of slightly eccentric characters who enter, say their bit, and depart. It feels like a clutter of small vignettes pasted together into a hastily-assembled novel. As narrator, Penelope Keith is a wizard at instilling character and wit into each new voice, but even she has her work cut out attempting so many different people.
This lack of cohesion and apparent rush allows some silly mistakes to creep in, such as a main character's eye colour changing from 'hazel' in Chapter 6 to 'blue' in Chapter 7, and Sir Charles Fraith being referred to as a lord (by Mrs Bloxby, no less).
The biggest sadness in all this frantic coming-and-going is the loss of the charm and pace of the earlier novels. Agatha spends no time at all in her home village of Carsely other than to hunker down after another exhausting day on the road. The interesting regulars in her life (James Lacey, Roy Silver and Bill Wong) all make their mandatory appearances, but so briefly that you could blink and miss them. Sir Charles is here in abundance, but far more critical and less friendly and supportive than before.
But the most shocking change is to Agatha's best and most loyal friend since the first novel (The Quiche of Death, 1992) - Mrs Bloxby the vicar's wife. Not only has she cropped her hair and updated her wardrobe, but she's also apparently changed her first name from 'Margaret' to 'Sarah'. That such a glaring mistake can be made with such a beloved and long-established character demonstrates how little attention the author and editor pay to the integrity of this money-spinning series. For all our sakes, I wish the author would stop grinding them out once a year regardless of quality. And Audible Studios would be doing all us fans a favour by asking Penelope Keith to record the second novel 'The Vicious Vet', since the existing reading by Diana Bishop is so contrary to the spirit of the feisty Agatha that I can't bear to listen to it. It would be wonderful to have the whole canon read by the talented Ms Keith.
I feel sorry for any listener picking on this novel as their first venture into Agatha Raisin's world - they should try the excellent early novels, and avoid these latest ones at all cost.
17 of 20 people found this review helpful
I heaved a sigh of relief that Penelope Keith is back narrating. The story was good but I got a bit lost with the purpose of the investigation. Would love the books to be longer - 12 chapters is too short to get the twists and turns well and truly embedded. Still loved it though
2 of 2 people found this review helpful
What disappointed you about Agatha Raisin: Pushing Up Daisies?
This is the last Agatha Raisin for me. I have been buying them mainly because of Penelope Keith's excellent reading but this was a disappointment too many.
0 of 2 people found this review helpful