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John D. MacDonald's pulp novels are a perfect beach read. They are unassuming, consistently over-deliver, produce better one-liners than a George Carlin set AND seem to have captured perfectly a very American, libertarian ethos of the mid-60s to late 70s. Travis McGee is consistently drawn into scrapes that he would rather avoid, beds girls he would prefer to ignore, and kills men he without relish. He perfectly fits Morrell's reluctant hero archetype:
"a tarnished or ordinary man with several faults or a troubled past, and he is pulled reluctantly into the story, or into heroic acts. During the story, he rises to the occasion, sometimes even vanquishing a mighty foe, sometimes avenging a wrong. But he questions whether he's cut out for the hero business. His doubts, misgivings, and mistakes add a satisfying layer of tension to a story"
MacDonald has perfected using the reluctant hero's questions, doubts, misgivings, and mistakes to add heft to his novels. McGee isn't a dime-store hero. He doesn't want the job, but doesn't mind the money, and it seems no one else is qualified to fix the huge mess that has fallen into his lap and seems destined to take him away from the bikinis, boats and beaches for a season.
18 of 21 people found this review helpful
This one was all over the map, but the bad guy is truly evil and keeps out-smarting poor Travis. Meyer takes his lumps and almost pays the ultimate price as Travis confronts his own mortality.
1 of 1 people found this review helpful