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A fine wreck has always represented sport, pleasure, treasure and, in many cases, the difference between living well and just getting by. The Cornish were supposed to be so ferocious that notices of shipwrecks were given out during morning service by the minister whilst the congregation spent their time concocting elaborate theological justifications for drowning the survivors. Treeless islanders relied on the harvest of storms to furnish themselves with rafters, boat hulls, fence posts and floors. In other places false lights were set up with grisly ingenuity along the coast to lure boats to destruction.
With romance, insight and dry wit, Bella Bathurst traces the history of wrecking, looting and salvaging in the British Isles since the 18th century and leading up to the present day. 'For a fully laden general cargo to run to ground in an accessible position is more or less like having Selfridges crash-land in your back garden,' she writes. 'A Selfridges with the prices removed.'
Far from being a black-and-white crime, wrecking is often seen as opaque by its practitioners - the divisions between theft and recovery are small. No successful legal prosecution has ever been brought; the RNLI was founded by wreckers - even today lifeboat crews maintain the right to claim salvage; and since the sinking of the Cita in 1997, the inhabitants of the Scilly Isles have a startling propensity to sport Ben Sherman shirts.
In settings ranging from the eerily perambulatory Goodwin Sands to the wreck-strewn waters off the coast of Durham, these murky tales of resourcefulness and quick-witted opportunism open a beguiling vista of life at the rough edges of our land and legality.
Customer ReviewsMost Helpful
By Miss S D Williams on 07-25-18
Disappointed - a social history
I’m three hours in and do not anticipate listening further. My interest is primarily in the history of shipwrecks, diving and associated stories and the blurb on this attracted me. So far I’ve listened to an overwrought social history on remote fishing villages, but a frustrating lack of ‘storytelling’. Far too much time is devoted to the context and it ends up like a social history, barren of any gripping narrative or seeming purpose. I’ve learnt more about legislation, rotting crofts and what activities can take place on sand bars at low tide than I have about shipwrecks, storms and dastardly deeds.
Whilst the narration is good I would agree with the previous review - the constant faux accents very quickly begin to annoy and distract. I get it, you can do accents, but it’s not adding anything in this instance.
Overall it’s just a bit tedious and lacking substance. Clearly a lot of time has been devoted in to research but it’s just dull in my opinion.
By wordparty on 04-11-18
Terrible narrator's accents
Book sketchy and unfocused and meandering. The narrator uses an infinity of pantomime accents, whether clowning Scottish, corny west country, and if quoting from a Liverpool newspaper in comic scouse. So many narrators do this kind of pointless showing off now...