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I'm 35 minutes in, and don't think I can listen to this anymore. The narrator has a horrible, stilted, Captain Kirk meets Christopher Walken quality to his performance. I noticed it when I learned to the sample and thought I could handle it. It's like nails on a chalkboard and it's driving me up the wall. The subject matter is interesting but that doesn't matter as the story is ruined by the distracting and annoying style of the narrator.
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I was just on vacation in Chicago, and I purchased a 3 day Chicago Trolley "Hop On Hop Off" package. The South Tour to Hyde Park was the most memorable, but not because we saw President Obama's Kenwood home. The Black tour driver had grown up and lived in Hyde Park and lived there his entire life, and pointed out where clubs had been that he'd seen legendary performers including Muddy Waters, Mahalia Jackson, Howlin' Wolf . . . He ran through a 'who's who' of jazz, the blues, and rock-and-roll in the 50's. Along with universal landmarks such as the location of the first nuclear reaction (The University of Chicago), he pointed out Black landmarks such as the office of The Defender, an influential Black newspaper founded in 1905. This book has them all.
The other tours included Chicago institutions landmarks, especially skyscrapers. I am still not sure just how many buildings I saw that Mies van der Rohe designed, or if I kept seeing the same stark buildings. I can appreciate the idea of 'less is more', but I'm not a fan of Bauhaus - Louis Sullivan's Beaux Arts skyscrapers, with their lush architectural detail, captured my imagination. The tour guides never mentioned Sullivan, and if I hadn't read this book, I wouldn't have known one architect was most influential for that school.
Thomas Dyja's "The Third Coast: When Chicago Built the American Dream" (2013) captures Black Chicago and White Chicago from the end of the depression to the early 1960's. Dyja highlights Black Chicago's astounding cultural contributions in music and art (Richard Wright's "Native Son" (1940), and Pulitzer prize winning poet Gwendolyn Brooks (1917 -2000), and so on) during a time of often violently enforced segregation. "The Third Coast" compares the parallel but mostly separate achievements by Whites in the arts (the birth and rebirths of what eventually became "Second City", Laszlo Moholy-Nagy's Institute of Design at the Illinois Institute of Technology and his New Vision, incorporating art and technology to make art accessible to all). Dyla also discusses what sociology writer Malcolm Gladwell calls 'connectors' ("The Tipping Point" 2000) that bridged the cultures, including actor/writer Studs Terkel (1912 - 2008), and surprisingly, the puppet show "Kukla, Fran and Ollie" (1947 - 1957).
"The Third Coast" is set against Chicago's endemic political corruption, especially the covert racial segregation tactics of 1955 - 1975 Mayor Richard J. Daley. To this day, Chicago is one of the most segregated cities in the United States.
Even though the listen for this book is more than 17 hours, I wanted more. Writer Nelson Algren (1909 - 1981) had a long affair with Simone de Beauvoir (1908 - 1986), and he encouraged her to write "The Second Sex" (1949). How important was Nelson, compared to de Beauvoir's relationship with Jean-Paul Sartre? Dyla's look at Hugh Heffner's "Playboy" magazine and empire is combines Heffner's geeky adolescent longing with a pragmatic, too briefly described business plan. And can any writing really make you feel Sun Ra's music, or see William R. Dawson's art? There are so many more Black and White Chicagoans Dyla fascinated me with. That's the mark of a good scholarly work of non-fiction: it doesn't answer all questions, it gives you the framework to find what you want to know more about.
The Audible edition includes a downloadable .pdf with photos. Download that along with the book.
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