A cultural history of Chicago at midcentury, with its incredible mix of architects, politicians, musicians, writers, entrepreneurs, and actors who helped shape modern America
Though today it can seem as if all American culture comes out of New York and Los Angeles, much of what defined the nation as it grew into a superpower was produced in Chicago. Before air travel overtook trains, nearly every coast-to-coast journey included a stop there, and this flow of people and commodities made it America’s central clearinghouse, laboratory, and factory. Between the end of World War II and 1960, Mies van der Rohe’s glass-and-steel architecture became the face of corporate America, Ray Kroc’s McDonald’s changed how people eat, Hugh Hefner unveiled Playboy, and the Chess brothers supercharged rock and roll with Chuck Berry. At the University of Chicago, the atom was split and Western civilization was packaged into the Great Books.
Yet even as Chicago led the way in creating mass-market culture, its artists pushed back in their own distinct voices. In literature, it was the outlaw novels of Nelson Algren (then carrying on a passionate affair with Simone de Beauvoir), the poems of Gwendolyn Brooks, and Studs Terkel’s oral histories. In music, it was the gospel of Mahalia Jackson, the urban blues of Muddy Waters and Howlin’ Wolf, and the trippy avant-garde jazz of Sun Ra. In performance, it was the intimacy of Kukla, Fran, and Ollie, the “Chicago School” of television, and the improvisational comedy troupe Second City whose famous alumni are now everywhere in American entertainment.
Despite this diversity, racial divisions informed virtually every aspect of life in Chicago. The chaos - both constructive and destructive - of this period was set into motion by the second migration north of African Americans during World War II. As whites either fled to the suburbs or violently opposed integration, urban planners tried to design away "blight" with projects that marred a generation of American cities. The election of Mayor Richard J. Daley in 1955 launched a frenzy of new building that came at a terrible cost - monolithic housing projects for the black community and a new kind of self-satisfied provincialism that sped up the end of Chicago’s role as America’s meeting place.
In luminous prose, Chicago native Thomas Dyja re-creates the story of the city in its postwar prime and explains its profound impact on modern America.
"Thomas Dyja’s The Third Coast unravels the wondrous history of Chicago with cunning and aplomb. Every aspect of the Windy City is revealed anew from Mies van der Rohe’s skyscrapers to Chuck Berry’s rock ’n’ roll. A truly gripping narrative. Highly recommended!" (Douglas Brinkley, New York Times best-selling author of Cronkite)
"I am an American, not Chicago-born, but at age nine Chicago was the first big city I visited, and it was love at first sight. I’ve come to know it deeply, however, only through its writers: Saul Bellow, Richard Wright, Studs Terkel, Mike Royko - and now Thomas Dyja. The Third Coast is a vivid, fascinating, surprising, altogether masterful chronicle of this quintessentially American city’s mid-century cultural heyday." (Kurt Andersen, New York Times best-selling author)
"Thomas Dyja has written a wonderful book about the cultural cauldron that seethed in twentieth-century Chicago. The Third Coast reminds us that New York and Los Angeles hold no monopoly on American artistic genius. From Louis Sullivan to Richard Wright, from Mahalia Jackson to Nelson Algren, Chicago attracted and inspired talent. Dyja’s well-crafted exploration of Chicago creativity helps us understand why cities are the wellsprings of culture. American society was molded by its cities, and Chicago has played an outsized role in molding music and literature and architecture. Dyja’s engaging writing not only provides an insightful investigation of Chicago’s cultural heroes but also delivers a broader view of how cities shape the sea of civilization." (Edward Glaeser, New York Times best-selling author of Triumph of the City)
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Black Chicago/White Chicago - 1930-1960
- Cynthia "Always moving. Always listening. Always learning. "After all this time?" "Always.""