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Editorial Reviews

Paul Collins tells the story of the brutal, bloody murder of William Guldensuppe committed by his girlfriend and her lover. Narrator William Dufris gives a delightfully varied and nuanced performance. The book features the voices of a diverse cast of late-19th century New York characters, from Joseph Pulitzer and William Randolph Hearst to a duck farmer in Woodside to employees of the Murray Hill bathhouse. Together, the characters tell the story of a gruesome crime that fueled a sensationalistic media juggernaut from the moment a group of young boys found a man's mutilated torso floating in the East River in New York City on a summer day in 1897. In Dufris' inventive performance, he expertly adopts the voice of the chillingly blasé murderers; then turns on a dime to describe, in a voice filled with wonder, the new forensic science that went into identifying the body. Dufris engages the listener by sounding as fascinated by the story as the author himself is.
It is vital that Dufris get the performances just right, since Collins has distinguished his book from other histories of the crime by telling the story of the investigation and trial largely through the voices of the people who were actually there. Collins carefully reconstructs their quotes into an intensely detailed narrative, and Dufris individualizes the voice of each witness, including the murder defendants themselves. Especially effective is his portrayal of one of the main defense attorneys in the story, William Howe, whom Dufris imbues with a bold, brash voice that enlivens the "Big Bill" persona that Collins describes. But Dufris is just as adept at capturing the macabre character of the women who, obsessed with the case, filled the sweltering courtroom gallery day after day to show their support for the dashing murder defendant, Martin Thorn. —Maggie Frank
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Publisher's Summary

In Long Island, a farmer found a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discovered a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumbled upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime were turning up all over New York, but the police were baffled: There were no witnesses, no motives, no suspects.
The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most perplexing murder. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Re-creations of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio - an anxious cop, a cub reporter, and an eccentric professor - all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim that the police couldn't identify with certainty - and that the defense claimed wasn't even dead.
The Murder of the Century is a rollicking tale - a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.
©2011 Paul Collins (P)2011 AudioGo
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Critic Reviews

“Wonderfully rich in period detail, salacious facts about the case and infectious wonder at the chutzpah and inventiveness displayed by Pulitzer’s and Hearst’s minions. Both a gripping true-crime narrative and an astonishing portrait of fin de siecle yellow journalism.” ( Kirkus Reviews)
"A dismembered corpse and rival newspapers squabbling for headlines fuel Collins’s intriguing look at the birth of 'yellow journalism' in late 19th-century New York. [A]n in-depth account of the exponential growth of lurid news and the public’s (continuing) insatiable appetite for it." ( Publishers Weekly)
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Customer Reviews

Most Helpful
5 out of 5 stars
By deborah on 11-04-11

Great look at NYC crime, forensics, and journalism

This is a well narrated audiobook of murder, forensics, and the incredible power and resources of yellow journalism in NYC at the turn of the 20th century. Pulitzer and Hearst battle to scoop each other in a grisly murder of a mutilated German-American. Forensic and courtroom procedures are described in stark contrast to today's format. The story swirls around collusion between the police and reporters, the handling of evidence, the subject of abortion, the conditions of the Tombs jail, the consolidation of the five boroughs into one municipality, and the apex of yellow journalism where news is made, not reported. Great story, especially if you're from NYC.

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33 of 33 people found this review helpful

4 out of 5 stars
By Anthony on 07-07-11

Well worth the credit!

A very "listenable" book, factual, but well presented, interesting and captivating. A fascinating history of a short period in journalism - perfectly read!

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32 of 32 people found this review helpful

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Customer Reviews

Most Helpful
5 out of 5 stars
By Smask on 12-13-13

non fiction of the best kind

Where does The Murder of the Century rank among all the audiobooks you’ve listened to so far?

Rates highly

What was the most interesting aspect of this story? The least interesting?

The most interesting aspect of the story is that it is true and it tells the story of the war between two great newspapers - Hearst and Pulitzer.

What about William Dufris’s performance did you like?

That it is an interesting, shaded performance, he does show the different characters really well.

Any additional comments?

Hooked my interest from the beginning and held it.

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2 of 2 people found this review helpful

5 out of 5 stars
By Tommy on 04-13-16

Evocative murder mystery

A highly evocative and always engaging real-life murder mystery and courtroom drama as well as a social history of a forgotten era.

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