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The communion bread, believed to be the body of Jesus, encouraged the formulation of new questions in philosophy: Could reality be so fluid that one substance could be transformed into another? Could ordinary bread become a holy reality? Could mud become gold, as the alchemists believed? These new questions pushed the minds of medieval thinkers toward what would become modern science.
Artists began to ask themselves similar questions. How can we depict human anatomy so that it looks real to the viewer? How can we depict motion in a composition that never moves? How can two dimensions appear to be three? Medieval artists (and writers, too) invented the Western tradition of realism.
On visits to the great cities of Europe - monumental Rome, the intellectually explosive Paris of Peter Abelard and Thomas Aquinas, the hotbed of scientific study that was Oxford, and the incomparable Florence of Dante and Giotto - Cahill brilliantly captures the spirit of experimentation, the colorful pageantry, and the passionate pursuit of knowledge that built the foundations for the modern world.
"A prodigiously gifted populizar of Western philosophical and religious thought spotlights exemplary Christians in the High Middle Ages....Cahill serves as an irresistible guide: never dull, sometimes provocative, often luminous." (Kirkus Reviews)
Customer ReviewsMost Helpful
By Amber on 06-21-07
the dark ages illuminated
I have immense respect for Thomas Cahill and this series. Cahill manages to cover a lot of ground in a few steps, encompassing politics, religion, art and culture in an engaging and informative style. His strength is in his ability to make history relevant -- why we should care what happened nine centuries or two millenia before we arrived. Where other texts often treat the reader to accounts drier than the bones of these long-dead movers and shakers, Cahill makes them as alive as the people we gossip about, and understands well what facets of a particular age will appeal to today's readers. I highly recommend this book, as well as any of the others in this series, "The Hinges of History."
So, to the one caveat: Cahill's politics do creep in; however, he offers his opinions openly and briefly.
31 of 31 people found this review helpful
By Ingwe on 03-12-13
Any additional comments?
It is so much fun to read a book where there's a fairly routine need to stop and look up a word. Cahill's approach to history is so lively and intellectual (at least for this old brain) that I feel entirely enlivened just realizing I read the book. To highlight several illustrious historic figures (Francis of Assisi, Hildegard of Bingen, and Dante Alighieri--to name a few)instead of using a linear way of covering the same ground is brilliant, not to mention fresh and stimulating, both.
But the most startlingly moving section of the book for me was his short Postlude, "Love in the Ruins" in which he describes in a heartbreaking way, how the Catholic church has so hideously betrayed its mission by its current wave of scandal. Although it might seem odd to find such a treatise on the way the Church has 'handled' the pedophilia crisis in a book about Medieval times, it is incredibly fitting--because if it were not for the Church, Cahill points out, Western Civilization as we know it would not exist.
10 of 10 people found this review helpful