An intellectual feast for fans of offbeat history, Ghostland takes listeners on a road trip through some of the country's most infamously haunted places - and deep into the dark side of our history.
Colin Dickey is on the trail of America's ghosts. Crammed into old houses and hotels, abandoned prisons and empty hospitals, the spirits that linger continue to capture our collective imagination, but why? His own fascination piqued by a house hunt in Los Angeles that revealed derelict foreclosures and "zombie homes", Dickey embarks on a journey across the continental United States to decode and unpack the American history repressed in our most famous haunted places. Some have established reputations as "the most haunted mansion in America" or "the most haunted prison"; others, like the haunted Indian burial grounds in West Virginia, evoke memories from the past our collective nation tries to forget.
With boundless curiosity, Dickey conjures the dead by focusing on questions of the living - how do we, the living, deal with stories about ghosts, and how do we inhabit and move through spaces that have been deemed, for whatever reason, haunted? Paying attention not only to the true facts behind a ghost story but also to the ways in which changes to those facts are made - and why those changes are made - Dickey paints a version of American history left out of the textbooks, one of things left undone, crimes left unsolved. Spellbinding, scary, and wickedly insightful, Ghostland discovers the past we're most afraid to speak of aloud in the bright light of day is the same past that tends to linger in the ghost stories we whisper in the dark.
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A fluffed-up college essay writ large.
- Gavin Gaddis
Not really history
The lack of history and yet the lack of proof the author gives for his theories. This follows a set course: each chapter tells a famous ghost story and the author then goes on to debunk it. In that light, every analysis end up with one of three refrains: people using someone's tragedy for their entertainment, people smearing an innocent person's name/rep, and it never happened.
Every single story breaks down into these three and it often get rather boring. It's quite obvious the author doesn't believe in ghosts (which would've been fine in itself if he kept a more open attitude about it all) and the tone of the book goes between scolding/accusatory and lecturing for much of it. I got to the point where I wanted to chuck my Ipod the next time the narrator said 'Again, people capitalizing on other person's tragedy for their entertainment.'
Despite saying he has an open mind, he leaves nothing to chance. Every single little 'oh, it might be ghosts' is explained away. What little history is actually in this book (that doesn't pertain to the actual stories themselves) is vague and unsupported. The author gives us one reason why people like ghost stories: because we don't keep our dead loved ones in our homes for 3 or so days after their deaths, thus we must've removed the horror of it from us. There's no supporting evidence to this and he never brings up the fact that we've been fascinated by death for as long as we've had written record -- and it's not a stretch to say before then too.
In short, listened to this is sort of like being lectured at for being a terrible person for liking ghost stories. Bleh. It's strange for the author to take such a tack because he states in the beginning that no one can make believers stop believing in ghosts -- and then he spends the rest of the book try. LOL
- Amazon Customer