An Army at Dawn: The War in North Africa (1942-1943)
- The Liberation Trilogy, Volume 1
- Narrated by: George Guidall
- Series: The Liberation Trilogy, Book 1
- Length: 26 hrs and 5 mins
- Unabridged Audiobook
- Release date: 04-16-13
- Language: English
- Publisher: Simon & Schuster Audio
- Whispersync for Voice-ready
Regular price: $37.75
Buy Now with 1 Credit
Buy Now for $37.75
The liberation of Europe and the destruction of the Third Reich is a story of courage and enduring triumph, of calamity and miscalculation. In this first volume of the Liberation Trilogy, Rick Atkinson shows why no modern learner can understand the ultimate victory of the Allied powers without a grasp of the great drama that unfolded in North Africa in 1942 and 1943. That first year of the Allied war was a pivotal point in American history, the moment when the United States began to act like a great power.
Beginning with the daring amphibious invasion in November 1942, An Army at Dawn follows the American and British armies as they fight the French in Morocco and Algeria, and then take on the Germans and Italians in Tunisia. Battle by battle, an inexperienced and sometimes poorly led army gradually becomes a superb fighting force. Central to the tale are the extraordinary but fallible commanders who come to dominate the battlefield: Eisenhower, Patton, Bradley, Montgomery, and Rommel.
Brilliantly researched, rich with new material and vivid insights, Atkinson's narrative provides the definitive history of the war in North Africa.
An Army at Dawn is the winner of the 2003 Pulitzer Prize for History.
Customer ReviewsMost Helpful
By Greg on 06-02-13
The Africa campaign was Real War!
What did you love best about An Army at Dawn: The War in North Africa (1942-1943)?
I loved that, for once, The Africa Campaign was shown for what it was: Intense, gruesome struggles, replete with all the terror and drama that illuminates battles like those on the islands of the Pacific in WWII.
I must deduct a star, because this book requires frequent consulting of maps, and I lost a lot by listening, instead of buying hard copy. (To be fair, even hardcopy books often provide sorry maps, tossed in as an afterthought, without serious effort at illustrating towns or topography described in the text.)
I wish Audible, or the publisher, or the author, or somebody would supply a web site that contains maps that one could follow. What a difference that would make!
Any additional comments?
Rick Atkinson's WWII trilogy has been hailed for the superb way it describes WWII. This praise is deserved. But may I also recommend Michael Shaara's four WWII novels, which I consider as enjoyable and informative as Atkinson's, and less map-dependent? Yes, read Atkinson, but also read Shaara.
17 of 19 people found this review helpful
By Ted on 05-30-16
Fascinating book, great performance
This colorful narrative history, filled with memorable details, entranced me for several weeks on my daily walks home from work, and a lot of the pleasure is due to George Guidall's extremely powerful delivery. It's so effective that I've actually gone and bought a few other books he's done (and he's done quite a lot); his reading of "Winesburg, Ohio," for example, is very skillful. I'm a bit disappointed that Guidall was not assigned the remaining two books in this Rick Atkinson WW2 trilogy; in fact, for some reason, the publishers have used three different readers, which seems rather a shame.
My only criticism of Guidall's delivery is that he indicates he's quoting someone by altering his voice to a sort of emphatic, choleric bark, and it has the effect of making all the men he's quoting sound pretty much the same, like a sort of impatient, peppery martinet, even if that characterization may not always be appropriate. But short of announcing "Quote" and "Close quote" aloud, which seems to be taboo, no one has come up with a perfect solution for indicating, in audiobooks, when words are suddenly being quoted. At least Guidall hasn't gone in for a variety of exaggerated accents, which some readers (frustrated actors?) attempt and which can be quite jarring.
As has often been pointed out in these Audible comments, it's difficult to absorb military history like this solely in audio, due to the many names and foreign place names; and yes, one does greatly miss the maps and photographs of a printed book. Yet I have to say that I own the third volume of the Atkinson trilogy -- "The Guns at Last Light" -- and though I read it with great admiration, I got bogged down halfway through and indeed have not yet finished it. For some of us, it's just easier in terms of time and energy to listen to these books on tape. If I'd tried to read "An Army at Dawn" in print, I'd probably have laid it aside, albeit with the intention of picking it up again sometime in the future.
A final note: A lot of my reading in recent years involves the war, but I knew very little about the North African campaign, the subject of this book. I therefore read a number of the Amazon comments, many of them critical (despite the book's having won the Pulitzer!), many of them by WW2 buffs who sound like they know what they're talking about. One frequent criticism seems to be that Atkinson is too hard on the U.S. military, too disparaging, too prone to dwell on the Army's mistakes. That may very well be true; I don't like writers who snipe at the military (always an easy target when one is comfortably far from the battlefield), yet I have to admit that what sticks in my mind is the appalling number of screw-ups, snafus, and needless deaths in the campaign due to carelessness or bad generalship or lack of communication between U.S. and British troops. (As someone -- Eric Larrabee? -- noted, the green, hastily assembled U.S. troops needed "a place to be lousy in.") Maybe the impression the book leaves is not balanced, but those examples of things going terribly wrong were undeniably eye-openers for me, or at least reminders of how easily, in combat, the lives of brave young men can be sacrificed for things that, in retrospect, look pretty stupid. The book did not turn me into a pacifist, by any means, but I suppose it served as a slight corrective and -- on the continuum that has, say, "Sergeant York" at one end and cynical works like "All Quiet" and "Catch-22" on the other -- it probably moved me one step closer to the latter end. It certainly made me very, very grateful that I've never known war, and grateful to my father, who did.
4 of 4 people found this review helpful