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White Tears
- A Novel
- Narrated by: Lincoln Hoppe, Danny Campbell, Dominic Hoffman
- Length: 10 hrs and 16 mins
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From one of the most talented fiction writers at work today: two ambitious young musicians are drawn into the dark underworld of blues record collecting, haunted by the ghosts of a repressive past.
Two 20-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter's troubled sister Leonie, spiral down into the heart of the nation's darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.
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Featured Article: Keep on Rockin' with These Listening Recs for Daisy Jones Fans
As Daisy Jones & The Six focuses so much on the artistry and creation of music, it’s no surprise that the focus on sound extends to both the audiobook production and the show's interpretation of those songs. The series had 10 episodes, the last of which aired on March 24, 2023. If you've finished watching Daisy Jones & The Six and are in search of a follow-up listen with similar vibes, start with this curated collection of music nonfic and full cast productions.
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- Narrated by: Christopher Lane
- Length: 9 hrs and 38 mins
- Unabridged
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Laguna: a place where a crazed killer has turned paradise into a Disneyland of depraved violence - with a fiery vengeance - and where homicide cop Tom Shephard unravels a grisly mystery. It reaches back across 40 years of sordid sex, blackmail, and suicide into the dark corners of his own past.
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Fabulous
- By Stacy on 02-24-09
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Since We Fell
- A Novel
- By: Dennis Lehane
- Narrated by: Julia Whelan
- Length: 12 hrs and 1 min
- Unabridged
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Since We Fell follows Rachel Childs, a former journalist who, after an on-air mental breakdown, now lives as a virtual shut-in. In all other respects, however, she enjoys an ideal life with an ideal husband. Until a chance encounter on a rainy afternoon causes that ideal life to fray. As does Rachel's marriage. As does Rachel herself. Sucked into a conspiracy thick with deception, violence, and possibly madness, Rachel must find the strength within herself to conquer unimaginable fears and mind-altering truths.
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Wait ....
- By Ann on 05-17-17
By: Dennis Lehane
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Eat the Document
- By: Dana Spiotta
- Narrated by: Rachael Warren
- Length: 9 hrs and 9 mins
- Unabridged
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In the heyday of the 1970s underground, Bobby DeSoto and Mary Whittaker - passionate, idealistic, and in love - design a series of radical protests against the Vietnam War. When one action goes wrong, the course of their lives is forever changed. The two must erase their past, forge new identities, and never see each other again. Now it is the 1990s. Mary lives in the suburbs with her 15-year-old son, who spends hours immersed in the music of his mother's generation.
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Great ensemble piece!
- By Buyer009 on 08-08-17
By: Dana Spiotta
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The Drop
- By: Dennis Lehane
- Narrated by: Jim Frangione
- Length: 5 hrs and 26 mins
- Unabridged
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Three days after Christmas, a lonely bartender looking for a reason to live rescues an abused puppy from a trash can and meets a damaged woman looking for something to believe in. As their relationship grows, they cross paths with the Chechen mafia; a man grown dangerous with age and thwarted hopes; two hapless stick-up artists; a very curious cop; and the original owner of the puppy, who wants his dog bac.k…
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THAT IS LIFE,
- By Jim "The Impatient" on 12-06-14
By: Dennis Lehane
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The Last Dead Girl
- By: Harry Dolan
- Narrated by: Michael Kramer
- Length: 12 hrs and 54 mins
- Unabridged
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On a rainy night in April, a chance encounter on a lonely road draws David into a romance with Jana Fletcher, a beautiful young law student. Jana is an enigma: living in a run-down apartment and sporting a bruise on her cheek that she refuses to explain. David would like to know her secrets, but he lets them lie-until it's too late. When Jana is brutally murdered, the police consider David a prime suspect.
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A great, dark read, appropriate reader too.
- By Karen on 05-01-14
By: Harry Dolan
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The Boy in the Suitcase
- A Nina Borg Mystery
- By: Lene Kaaberbøl - author/translator, Agnete Friis
- Narrated by: Katherine Kellgren
- Length: 8 hrs and 40 mins
- Unabridged
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Nina Borg, a Red Cross nurse, wife, and mother of two, is trying to live a quiet life. The last thing her husband wants is for her to go running off on another dangerous mission to help illegal refugees. But when Nina's estranged friend, Karin, leaves her a key to a public locker in the Copenhagen train station, and begs her to take care of its contents, Nina gets suckered into her most dangerous case yet.
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Not recommended
- By Sarah C on 06-18-12
By: Lene Kaaberbøl - author/translator, and others
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Preparation for the Next Life
- By: Atticus Lish
- Narrated by: Robertson Dean
- Length: 15 hrs and 7 mins
- Unabridged
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Story
Zou Lei, orphan of the desert, migrates to work in America and finds herself slaving in New York's kitchens. She falls in love with a young man whose heart has been broken in another desert. A new life may be possible if together they can survive homelessness, lockup, and the young man's nightmares, which may be more prophecy than madness.
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Incredible craftsmanship.
- By B.J. on 04-23-15
By: Atticus Lish
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Brighton
- A Novel
- By: Michael Harvey
- Narrated by: Stephen Mendel
- Length: 8 hrs and 27 mins
- Unabridged
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Story
Kevin Pearce - baseball star, honor student, the pride of Brighton - was 15 when he left town in the back of his uncle's cab. He and his buddy, Bobby Scales, had just committed heinous violence for what they thought were the best of reasons. Kevin didn't want a pass, but he was getting it anyway. Bobby would stay and face the music; Kevin's future would remain as bright as ever. At least that was the way things were supposed to work, except in Brighton things never work the way they're supposed to.
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Mystery gets no better.
- By William H. Harrington on 10-27-18
By: Michael Harvey
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Cash City
- By: Jonathan Fredrick
- Narrated by: Ari Fliakos
- Length: 9 hrs and 48 mins
- Unabridged
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Story
It is an obsession that has haunted Nick Malick for seven years - to avenge the murder of his young son. In his gut Malick knows who did it. But the psychopath is in prison for another crime, scheduled to be released in a year. All Malick has to do is wait...and survive.
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Great New Series
- By Lia on 08-21-17
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Our Story Begins
- New and Selected Stories
- By: Tobias Wolff
- Narrated by: Anthony Heald
- Length: 13 hrs and 5 mins
- Unabridged
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Story
Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.
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Great
- By chris on 04-11-08
By: Tobias Wolff
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Crimes by Moonlight
- Mysteries from the Dark Side
- By: Charlaine Harris - author/editor
- Narrated by: Natalie Ross
- Length: 12 hrs and 55 mins
- Unabridged
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In number-one New York Times best-selling author Charlaine Harris’s "Dahlia Underground,” venerable vampire Dahlia Lynley-Chivers survives an attack by an anti-vampire terrorist group, only to show them they tried to blow up the wrong bloodsucker. Bailey Ruth Raeburn, a ghost assigned to assist humans in trouble, steps into the middle of a marital dispute with surprising twists in Carolyn Hart’s “Riding High”....
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Pleasantly surprised
- By Bonnie on 08-06-11
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When Alexandra Witt joins the faculty at Stonebridge Academy, she’s hoping to put a painful past behind her. Then one of her creative writing assignments generates some disturbing responses from students. Before long, Alex is immersed in an investigation of the students atop the school’s social hierarchy - and their connection to something called the Darkroom. She soon inspires the girls who’ve started to question the school’s “boys will be boys” attitude and incites a resistance. But then Alex attracts the attention of an unknown enemy who knows too much about her.
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What listeners say about White Tears
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- W Perry Hall
- 06-02-17
How the Blues Got There, Captain Jack
"White folks hear the blues come out, but they don't know how it got there," said Son House, a Mississippi blues singer who made his start in the 1920s. The blues got there, it is generally acknowledged, via the adapted rhythms and methods of West African natives enslaved in the American South. One of the blues' most customary components came from the group work songs of the plantation slaves who used the African practice of "call and response," which bluesmen have most often transformed into a conversation between the singer and his guitar. It is no coincidence that the Mississippi delta region so rich in fertile soil for large plantations is the birthplace of a veritable Blues Who's Who, including Muddy Waters, B.B. King, Bo Diddley, Robert Johnson and Howlin' Wolf.
In White Tears, novelist Hari Kunzru cleverly and ambitiously bares the wounds from which the blues bled, journeying from Manhattan to the Mississippi delta and from the present to the late 1950s and again to the late 1920s. With sinister strains threaded throughout, his novel scrutinizes white exploitation of black culture, the forced labor of black convicts through convict leasing to white farms (which some call "slavery by another name"), and related issues of race, class, poverty and musical authenticity.
The novel begins in Manhattan with Seth and Carter, best college buddies rooming together after bonding over a mutual love of black music. Seth recalls how "Carter taught me to worship--it's not too strong a word--what he worshipped. He listened exclusively to black music because ... it was more intense and authentic than anything made by white people." According to Carter's sister, he "feels guilty for being a rich boy. That's why his heroes are always poor or black."
As it happens, Carter lives off a trust funded by his family which owns a conglomerate of construction, energy and private prison businesses. So, when the pair decides to open a recording studio, Carter has little problem bankrolling it, with Seth, a sound engineering whiz, managing the business. The talents of these "audio craftsmen, artisans of analog" have thrust them to the mat of success with a contract to record a successful white hip hop artist.
Seth often adds a variety of sounds to his audio bank by strolling about Manhattan with his parabolic mic and recorder. One afternoon upon playing back the sounds he recorded of nothing in particular near chess players in Washington Square, Seth is shocked to hear a haunting voice singing a blues song:
Believe I buy me a graveyard of my own
Believe I buy me a graveyard of my own
Put my enemies all down in the ground
Put me under a man they call Captain Jack
Put me under a man they call Captain Jack
Wrote his name all down my back
Carter pounces upon hearing the recording, and they stay "up until six in the morning, cleaning up the recording and deciphering the words...." Carter cooks up a guitar track over which to lay the mystifying voice and asks Seth to "Make it dirty. Drown it in hiss. I want it to sound like a record that's been sitting under someone's porch for fifty years." Carter fakes a "scuffed and faded" recording label for a 1928 recording of what he labels "Charlie Shaw's Graveyard Blues," a "rarity" that he uploads to the internet. The collector trolls instantly trill. One going by the name "JumpJim" drills them about the song and pushes to know what is on side B, saying he has not heard Charlie Shaw's voice since 1959.
A suspicious hit and run leaves Carter comatose a third of the way into the novel and the buddy-centric thriller seems, in hindsight, like a bluesy vamp to the main numbers.
The story takes an ominous turn into the territory of noir mystery when Seth seeks out the collector to learn about his 1959 trip to Mississippi with an unscrupulous older collector who plucked Charlie Shaw's only recording from Shaw's voodoo-ish sister and of the ominous events leading to that man's shrieking end ablaze among his collection of authentic blues recordings.
Seth convinces Carter's sister to accompany him on a trek to the Mississippi delta to sleuth a possible link between the real Charlie Shaw, the counterfeit recording and the hit and run. This nightmare-like journey to the soul of the blues thrums with tension and a droning dread that calamity lurks around the corner. As they approach the delta, the menace intensifies and time starts to tilt.
In the novel's final, spectral phase, the past and present merge into a sort of discordant call and response. Time ultimately comes undone. Without giving too much away, readers learn of Captain Jack and how Charlie Shaw never made any more records when all he wanted was "to pass something on ... to reach forward, to obey the urge of life." Seth becomes alienated by circumstance and is shunned by Carter's family. The story pounds with the profane nature of a payback tinged with aspects of the supernatural and voodoo, and the novel ends with a shockingly unforgettable judder.
White Tears is a bold, formidable novel that is not for everyone. Yet, the venturesome reader will be rewarded as Kunzru explores the corrupted nature of "blaxploitation"; dredges the sordid past of the music from which "all ... American music derives its most distinctive characteristics" (James Weldon Johnson); pays tribute to the music's legacy infusing much of our culture today; and, vilifies the vinyl hipsters and their obsession over authenticity in the blues while they disregard the pain integral to the end product.
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7 people found this helpful
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- Kate Terrell
- 04-07-17
Great writing, incredibly long ending
I enjoyed the poetic and illustrative words building each sentence. I was gripped, until about 2/3rds through, the book was a painstaking commitment to finish.
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5 people found this helpful
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- marion webb
- 05-04-17
Completely Impossible
What disappointed you about White Tears?
The hopping around from story to story drove me crazy.
What was most disappointing about Hari Kunzru’s story?
I never did understand the story never completely knew what I was reading. I have been listening to books for a very long time and this novel was so confusing and boring.
Which scene was your favorite?
My favorite part of this book was the last page, I was so happy it was over with.
What reaction did this book spark in you? Anger, sadness, disappointment?
DISAPPOINTMENT for one and ANGER for every buying it.
Any additional comments?
Being pick as the novel of the week in The Week magazine, I believed I had a winner, who picks these books to be Novel of the week. Maybe they can give me back my money this was a loser.
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- Queequeg
- 12-06-17
Ham-fisted Yawn
The author takes interesting themes and gives us a story that is vapid and superficial. Boring rich white people doing pointless things without any real conflict to get in their way, instead turning on ridiculous plot twists to hammer at (white) appropriation and hipsters. The story is too unbelievable, and worse, confusing. I nearly gave up 2/3 through. I just kept thinking, who cares? Not worth the time.
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- Steve
- 04-22-23
Musicology-based horror, my new favourite subgenre
This was recommended as a brilliant companion piece to the second novella in John Horner Jacobs' A Lush & Seething Hell, and I'm so glad I found it.
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- Anonymous User
- 05-03-22
Incredible
Was hooked from start till finish. Can’t remember the last book I enjoyed more than this one. Will definitely check out more from this Author
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- Amazon Customer
- 02-25-22
Riveting and disturbing
This isn't going to be an easy listen. You'll be scared and disturbed, first by the superbly crafted tension, then by a supernatural and nonlinear structure, send finallybby depictions of racial violence. But if you're serious about reconciling how the crimes of the past affect your seemingly innocent life here and now,you should piston to this book. It's unique and well-researched. You'll learn a lot about the Blues. You'll have a mirror to your white women's put up against you and if you let it, it'll make you question and break. This novel is about the ghosts of the past and a potential path to atonement for slavery and systemic racism.
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- James Watts
- 06-01-21
Misrepresentation is worse than no representation
Kunzru completely misses the mark here, often warping African American fokelore to fit his story.
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- Stephanie C.
- 05-01-21
Future Past Participle
I will have always been in debt to this novel. As it has and does continuously give words to a silent history echoing through history. Revealing what will and always has been haunting me. Bring momentary clarity to the everlasting fog of now.
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- Lara
- 06-29-18
Creepy and timely
The writing is super engaging and before you know it you are sucked in, even while the main narrator, Seth, is equal parts annoying/disgusting and engrossing. When you see internet articles about cultural appropriation and white privilege any of us can read it using only our intellect, a sterilized, detached read that hits all political points. This novel is the actual punch in the gut, shows you the actual emotional impact of the phenomena. I will be thinking about it well after finishing it.
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