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Publisher's Summary

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state - the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: It's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.
But when a local schoolteacher comes in to return her copy of Targets - an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store - she has an odd complaint: "There's something on it," she says, but doesn't elaborate. Two days later a different customer returns a different tape, a new release, and says it's not defective, exactly, but altered: "There's another movie on this tape."
Jeremy doesn't want to be curious, but he brings the movies home to take a look. And indeed, in the middle of each movie, the screen blinks dark for a moment, and the movie is replaced by a few minutes of jagged, poorly lit home video. The scenes are odd and sometimes violent, dark, and deeply disquieting. There are no identifiable faces, no dialogue or explanation - the first video has just the faint sound of someone breathing - but there are some recognizable landmarks. These have been shot just outside of town.
So begins John Darnielle's haunting and masterfully unsettling Universal Harvester: the once placid Iowa fields and farmhouses now sinister and imbued with loss and instability and profound foreboding. The audiobook will take Jeremy and those around him deeper into this landscape than they have ever expected to go. They will become part of a story that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain.
Engineered by Matt Douglas
Music by Buttonwood Agreement
John Darnielle - piano, guitar
Joaquin Spengemann - drums and percussion
Additional synth by John Vanderslice
Music produced by John Vanderslice at Tiny Telephone, San Francisco
Additional mixing and postproduction by Tim Franklin
©2017 John Darnielle (P)2017 Macmillan Audio
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Critic Reviews

"Darnielle's understated narration is a perfect match for the quiet story. His restrained delivery highlights the steady Midwestern attitude of his characters, making the story's pensive strangeness that much more unsettling." ( AudioFile)
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Customer Reviews

Most Helpful
2 out of 5 stars
By laurie on 02-10-17


This story is not a thriller. It's a stylized observation of midwestern life in the 90s. Though well written, the story lacks spend most of your time waiting for a payoff, but are left with few answers.
I was extremely disappointed with the story and felt that this books only redeeming qualities were the descriptive writing and the performance by the reader.

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10 of 11 people found this review helpful

5 out of 5 stars
By Toadguy on 04-10-17


I love John Darnielle's music and also Wolf in White Van, but this his masterpiece.
The blend of unsettling suspense and powerful humanity make this story unique and unforgettable, and John's narrative is intimate and quietly expressive.

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3 of 3 people found this review helpful

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Customer Reviews

Most Helpful
4 out of 5 stars
By Tomtomward18 on 01-02-18


A seemingly slow paced novel which struggled to grasp my attention at first.

However, I'm not sure if it was the calming smooth pace of John Darnielle's narration or the consistent carrot on stick type writing which left me wanting to know more.

Definitely worth listening to and I garuntee you will want to know the story behind these characters after Part 1.

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5 out of 5 stars
By mary on 12-28-17

best book of the decade

i have not being so moved by a book since I read 'god of small things' 20 years ago. This beautifully crafted hymn to the loss of family and home moved me to tears.

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Customer Reviews

Most Helpful
1 out of 5 stars
By Max on 06-09-18

Great start until it got boring

PART 1 OF THIS BOOK: this creepy mystery story had me hooked.

PART 2 OF THIS BOOK: the tonal shift from mystery to family drama was very jarring. It made the story's mystery less interesting.

PART 3 OF THIS BOOK: I was still recovering by the tonal shift from part 2. This chapter didn't help me regain my initial excitement for this story. So, I stopped listening to the rest of this audiobook.

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3 out of 5 stars
By tom on 08-23-17

it's unsettling

disturbing and captivating. but I'm not sure how many people will be satisfied with it.

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