There but for the

  • by Ali Smith
  • Narrated by Anne Flosnik
  • 7 hrs and 44 mins
  • Unabridged Audiobook

Publisher's Summary

At a dinner party in the posh London suburb of Greenwich, Miles Garth suddenly leaves the table midway through the meal, locks himself in an upstairs room, and refuses to leave. An eclectic group of neighbors and friends slowly gathers around the house, and the story of Miles is one told from the points of view of four of them: a woman in her 40s called Anna, a man in his 60s called Mark, a woman in her 80s called May, and a 10-year-old child called Brooke. The thing is... none of these people knows Miles anything more than glancingly. So how much is it possible to know about a stranger? And what are the consequences of even the most casual, most fleeting meetings we have every day with other human beings?
Brilliantly audacious, disarmingly playful, full of Smith's trademark wit and puns, There but for the is a deft exploration of the human need for separation - from our pasts and from one another - and the redemptive possibilities for connections.


What the Critics Say

"So much more than the sum of its parts.... This fine, unusual novel is sweet and melancholy, indulgent of language and of the fragile oddballs who so relish in it." (Publishers Weekly)
“Quirky, intricately put together. . . . A book about loss and retention: about what we forget and what we remember, about the people who pass through our lives and what bits of them cling to our consciousness." (Charles McGrath, The New York Times)
“Ali Smith’s clever, by turns whimsical and subtly wrenching fifth novel, There But For The, is another book that sends you back to the beginning once you’ve reached the end, both to connect the dots of her intricately structured story and to marvel at what she has pulled off.” (Heller McAplin, NPR “Five 2011 Books That Stay With You”)


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Customer Reviews

Most Helpful

Insufferable as a bad house guest

This book is as insufferable as the house guest that ties the book together. I got this book based on its awards and strong critical reviews but found the book an annoying slog. Smith uses devices that I usually enjoy in writting (streams of consiousness, multiple narratives, no real heavy plotting) but creates a book that just caused me to give a thousand mile stare when listening too.
Here are some of the problems I had with the book:
1) Characters are poorly introduced and you need to spend a large chunk of time figuring out where the fit into the plot rather than enjoying the story; a few characters and plot lines I just gave up on; some books are worth the effort of really trying to understand it; this is not one of them.
2) Streams of consiousness that go no where and speak like some trivia napkin or fortune cookie
3) the book seems to be in love with its own cleverness like Smith just discovered certain ideas in metafiction and narrative and decided to take it out for a test drive with little consequence or interesting results

This might be your cup of tea but I just found the book awful. The narrator also has a rather shrill tone of a school marm.
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- Robert

Not my cup of tea

What disappointed you about There but for the?

I stuck through this book, but it just didn't speak to me... Strange punctuation style, seemingly irrelevant stories that have a somewhat interesting twist of circular story telling. However, I must not be the target reader type for this book, I didn't love it.

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- Mirela

Book Details

  • Release Date: 09-22-2011
  • Publisher: HighBridge, a division of Recorded Books