The White Princess : The Plantagenet and Tudor Novels

  • by Philippa Gregory
  • Narrated by Bianca Amato
  • Series: The Plantagenet and Tudor Novels
  • 19 hrs and 5 mins
  • Unabridged Audiobook

Publisher's Summary

The newest novel from #1 New York Times best-selling author and "queen of royal fiction" (USA Today) Philippa Gregory tells the passionate story of Elizabeth of York, daughter of the White Queen, who gets caught in the middle of a battle for the crown of England.
The White Princess opens as the news of the battle of Bosworth is brought to Princess Elizabeth of York, who will learn not only which rival royal house has triumphed, Tudor or York, but also which suitor she must marry: Richard III her lover, or Henry Tudor her enemy.
A princess from birth, Elizabeth fell in love with Richard III, though her mother made an arranged betrothal for her with the pretender to the throne: Henry Tudor. When Henry defeats Richard against all odds, Elizabeth has to marry the man who murdered her lover in battle, and create a new royal family with him and his ambitious mother: Margaret Beaufort, The Red Queen. But, while the new monarchy can win, it cannot, it seems, hold power in an England which remembers the House of York with love.
The new king’s greatest fear is that somewhere, outside England, a prince from the House of York is waiting to invade and re-claim the throne for the house of York. Fearing that none of his new allies can be trusted, Henry turns to his wife to advise him, all the time knowing that her loyalties must be divided. When the young man who would be king finally leads his army and invades England, it is for Elizabeth to decide whether she recognizes him as her brother and a claimant to the throne, or denies him in favor of the husband she is coming to love....


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Customer Reviews

Most Helpful

Paid by the Word? Double for "the boy"?

Patience. This is, without doubt, the most repetitive book I've read, including cookbooks. I dare you to take a sip of wine every time "the boy" is mentioned in the latter half of this book and try to finish a chapter before passing out. Truly, this story (don't confuse it with history) could have been told in one-third the length.

Nearly every one of Elizabeth's thoughts, and her conversations with Maggie, with Henry, with Margaret, with her mother (notice a pattern?), are repeated almost verbatim and/or paraphrased multiple times -- some ad nauseam. Entire chapters consist of repetitions, with only one new minor point plot offered. Describing being drawn and quartered once in excruciating detail will suffice, thanks. Just write "drawn and quartered" after that, we're smart enough to know what you mean. We don't need to be lectured in almost identical detail twice, and partially a third time . . . maybe more. I confess I drifted off a number of times, but I doubt I missed anything I hadn't heard previously several times.

If I hadn't liked The White Queen so much, I wouldn't have persevered to finish, hoping for more and better. It's hard to swallow the premise that the calm, poised, wise-beyond-her-years Elizabeth of The White Queen would develop a grand passion for her uncle, who betrayed a promise to her father, imprisoned and potentially murdered her dear brothers. Cultivating his interest for strategic reasons to protect the Woodvilles may make have made sense. The main characters are static over a near 15-year time span, never growing or learning from their mistakes. If Henry VII was as incapable, cowardly, sniveling, and mother-dominated as depicted here, his uncle would have made a deal with the Yorks to knock him off as soon as there was an heir and a spare, putting the York-Tudor hybrid Arthur on the throne. In reality, history suggests Henry VII had no mistress after marriage to Elizabeth, that Elizabeth and Henry had a successful perhaps loving marriage, that Margaret Beaufort was not an ogre, that Henry's reign was more successful, etc.

What a disappointment!
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- Lisa

Tomorrow and Tomorrow and Tomorrow

No, not quoting Macbeth in comparison to this work of historical fiction, merely trying to illustrate how repetition consumes this novel. If you've read several of Philippa Gregory's works, you know the recipe of a little fact; a lot of conjecture; and a great deal of restating the same ideas. These works are B+ romantic novels and I'm not embarrassed to admit I enjoy some of her books.

It doesn't put me off how she takes leeway with some facts. Having read several of her Tudor novels, I was empowered to read and research material on the subjects on my own. Enjoyed the journey to discovery.

I had high hopes wanting to know about Henry VIII's mother and the childhood of the four children. Minimal pages are devoted to the offspring and quick references to Henry's gluttony of food and playing games were given paucity of attention. The beginning was interesting (even if not historically correct) and I sympathized with Elizabeth being trapped in a loveless marriage. However, the next 3/4 of the book regurgitated the same idea of how Henry VII was a usurper and his paranoia of chasing the possibility a true York king coming to take his throne were churned out superfluously.

Greggory should take her time and get back to the originality and fervent storytelling from her earlier novels instead of churning out books so quickly. Ignore the big paychecks for quantity and take time for quality.
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- FanB14

Book Details

  • Release Date: 07-23-2013
  • Publisher: Simon & Schuster Audio