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The Temple of the Golden Pavillion
- Narrated by: Brian Nishii
- Length: 9 hrs and 59 mins
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Publisher's summary
A hopeless stutterer, taunted by his schoolmates, Mizoguchi feels utterly alone until he becomes an acolyte at a famous temple in Kyoto. But he quickly becomes obsessed with the temple's beauty, and cannot live in peace as long as it exists.
Critic reviews
Featured Article: 10 Famous Japanese Authors You Have to Hear
Thanks to the work of translators and publishers, Japanese literature is now more accessible than ever to English-speaking audiences. If you've ever wanted to learn more about Japanese culture and literature, you cannot go wrong with listening to audiobooks from Japan. We've compiled a list of the most famous Japanese authors who have helped define Japanese literature, and their notable works across genres and time periods.
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My darling little boy Albie adores playing at our new neighbours’ house. And after the terrible year we’ve had, I feel so lucky that we can start over in this perfect place, with new friends who treat Albie like the son they never had. He can’t stop talking about the tree house they’re building him, and the cookies they bake together. But as time passes, something starts to feel wrong. Why don’t they ever open the front door more than a crack? They told me they had no children so who does the small pink tricycle I saw in their hall belong to?
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Miss Lucy-price Lewis
- By Angie on 06-07-23
By: K. L. Slater
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The Jane Austen Collection
- An Audible Original Drama
- By: Jane Austen
- Narrated by: Claire Foy, Gugu Mbatha-Raw, Billie Piper, and others
- Length: 45 hrs
- Unabridged
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Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.
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Not a faithful rendition
- By Anne McClain on 12-13-20
By: Jane Austen
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Fingerprints of the Gods
- The Quest Continues
- By: Graham Hancock
- Narrated by: Graham Hancock
- Length: 18 hrs and 31 mins
- Unabridged
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Fingerprints of the Gods is the revolutionary rewrite of history that has persuaded millions of listeners throughout the world to change their preconceptions about the history behind modern society. An intellectual detective story, this unique history audiobook directs probing questions at orthodox history, presenting disturbing new evidence that historians have tried - but failed - to explain.
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Classic in Historical Mysteries
- By Kelly on 09-05-19
By: Graham Hancock
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My Perfect Daughter
- By: Sarah Denzil
- Narrated by: Lucy Paterson
- Length: 9 hrs and 58 mins
- Unabridged
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Zoe didn't meet her daughter the way most mothers do. She finds five-year-old Maddie alone and dirty on a countryside road. Frightened for Maddie's safety, she picks her up and takes her back to her father, not knowing what she's about to step into. Because Maddie wasn't just lost; she was there to lure her serial killer dad's new victim. After escaping from the clutches of Maddie's dangerous father, she bonds with the little girl. Only Maddie knows what it was like to be at that house. And when no family members come forward to claim Maddie, Zoe decides to adopt her.
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Absolutely Ghoulish
- By Selene Rackley on 04-29-22
By: Sarah Denzil
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The Boar's Nest
- Sue Brewer and the Birth of Outlaw Country Music
- By: Rachel Bonds, Holly Gleason, Dub Cornett
- Narrated by: Mandy Moore, Ebon Moss-Bachrach, W. Earl Brown, and others
- Length: 3 hrs and 26 mins
- Original Recording
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Willie Nelson, Waylon Jennings, Kris Kristofferson. Before they were household names, these budding legends called Sue’s Nashville apartment—lovingly dubbed the “Boar’s Nest”—home. Sue’s place was an intimate staging ground where a new breed of singer-songwriters—wounded souls, wayward upstarts—would spur each other on to tap into something bigger, realer.
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fantastic
- By Jennifer L. Applebaum on 03-18-24
By: Rachel Bonds, and others
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A band of savage 13-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this disallusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.
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Unsettling writing, flawed reading
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Book is good - Narration is just terrible
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An extraordinary work.......
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Natsume Soseki's Kusamakura - meaning “grass pillow” - follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot-spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty", is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki's word painting.
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This beautiful novel deserves a better narration
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The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.
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The Heart Of Things, Relationships & Feelings
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Returning to Kyoto, where temple bells announce the New Year, a grave and penitent Oki is drawn to a haunting obsession from his past. Gently lyrical, yet fierce with the stark intensity of passion, Kawabata's last novel tells the story of the lasting consequences of a brief love affair.
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nostalgic literature from Japan
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Sanshiro
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One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.
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This story had no point.
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Oe's most important novel, A Personal Matter, has been called by The New York Times "close to a perfect novel". In A Personal Matter, Oe has chosen a difficult, complex though universal subject: how does one face and react to the birth of an abnormal child?
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Should have been better
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From charity to deceit, benevolence to violence, fear of God to extreme cruelty, the dictator of The Autumn of the Patriarch embodies the best and the worst of human nature. Gabriel García Márquez, the renowned master of magical realism, vividly portrays the dying tyrant caught in the prison of his own dictatorship. Employing an innovative, dreamlike style, and overflowing with symbolic descriptions, the novel transports the listener to a world that is at once fanciful and real.
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An extraordinary journey through the world of a genius
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The Narrow Road to the Interior and Hojoki are two of the best-loved works of their kind; famous for their beautiful, delicate verse and subtle insight into the human condition. It has been said of The Narrow Road that 'it was as if the very soul of Japan had itself written it'. It takes the form of a travel diary, and traces the poet's journey from Edo (modern-day Tokyo) to the northern interior.
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Second story unintelligible
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No collection of Japanese literature is complete without Natsume Soseki's Kokoro, his most famous novel and the last he completed before his death. Published here in the first new translation in more than 50 years, Kokoro - meaning "heart" - is the story of a subtle and poignant friendship between two unnamed characters, a young man and an enigmatic elder whom he calls "Sensei".
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With the Second World War only a few years in the past, and Japan still reeling from its effects, two sisters—born to the same father but different mothers—struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time. While Momoko, their father’s first child—haunted by the loss of her kamikaze boyfriend and their final, disturbing days together—seeks comfort in a series of unhealthy romances.
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The Pillow Book
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The Pillow Book of Sei Shōnagon is a fascinating, detailed account of Japanese court life in the closing years of the 10th century. Written by a lady of the court at the height of Heian culture, this book enthrals with its lively gossip, witty observations and subtle impressions. Lady Shōnagon was an erstwhile rival of Lady Murasaki, whose novel, The Tale of Genji, fictionalized the elite world Lady Shōnagon so eloquently relates.
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Exquisite. Truly!
- By Erick DuPree on 01-10-23
By: Sei Shōnagon
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The Woman in the Dunes
- By: Kobo Abe
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After missing the last bus home following a day trip to the seashore, an amateur entomologist is offered lodging for the night at the bottom of a vast sand pit. But when he attempts to leave the next morning, he quickly discovers the locals have other plans. Held captive with seemingly no chance of escape, he is tasked with shoveling back the ever-advancing sand dunes that threaten to destroy the village. His only companion is an odd young woman. Together, their fates become intertwined as they work side-by-side at this Sisyphean task.
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Nihilistic horror
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By: Kobo Abe
What listeners say about The Temple of the Golden Pavillion
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Dan Harlow
- 04-18-14
A difficult and disturbing paradox
Any additional comments?
This novel introduces a disturbing paradox: there are many people in this world who, at the very least deserve our empathy yet to actually understand them would actually cause us despise them because how disturbed they are.
I kept thinking of people who commit mass violence, such as school shooters while reading this book. Typically the range of emotion from learning such a tragedy has occurred is first outrage, "Who would do such a thing? Why did they do it? What has the world come to?". When we learn who the culprit was we can then put a face to the crime and we say the person is sick and evil and they should be put to death. We don't see them as human, we see them as monsters who are sick.
But are they monsters? What if we were truly empathetic and tried to get to know these people. What would we discover then?
Unfortunately, I don't think the answer is an easy one because while religious morality tells us to empathize with even the worst people, if we actually could know the minds of such disturbed people we would be even more disgusted and confused. All we might discover is this person who committed such a terrible act is, in fact, a terrible person.
And so how do you empathize for and with a person who is so totally far removed from the rest of humanity, who is so wrapped up in their own delusions, whose point of view on the world is so fractured that you just can't even force yourself to want to care about them?
That's the paradox I discovered because of this book and with the main character Mizoguchi. Mizoguchi is, putting aside his skewed interpretation of humanity, an otherwise rational person. Yet all of his otherwise normal thought processes stems totally from a decayed root that infects the entire tree. His actions, his motives, his opinions seem to make a sort of sense, but only in the context that he is basically a sick person. And everything he decides to do, all his planning and his final actions are because he is sick, because he doesn't care one shred for humanity.
Mizoguchi does not love or does't care about anyone. And so how do we empathize with him? That's a real problem here because it makes for a very difficult novel. On the one hand Yukio Mishima, the author, is giving us an insight into the mind of a person beyond redemption but because Mizoguchi is beyond redemption we have a hard time even liking the novel. This novel is basically a physical manifestation of the character Mizoguchi, or to broaden the scope, the novel is the manifestation of all such people who commit these terrible crimes. And so how can we ever hope to like the book if we hate what the book is showing us? The book shows us true ugliness and so how do we respond to that?
This is a very difficult novel but it is fascinating in that it confronts head on the reality of empathy for another human being and how difficult it really is, or if it's even possible with a person like Mizoguchi.
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14 people found this helpful
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- Palle
- 01-04-17
A "nice guy" in early 20th century Japan
You know those "nice guys" with fedora hats, chain wallets and who call women "m'lady"? The ones who speak of dating as "courting" and who have an interest in Japanese culture and buy themselves a katana sword from Amazon? The type of guys who get angry because women choose the "bad boy Chad" instead of the "nice guy" with the fedora hat? And in the end, the "nice guy" thinks it's all women's fault - and turns his miserably low self esteem into a hatred for the opposite sex? Ok, this book is about that guy. Only it takes place in Japan around the end of World War 2 to the end of the 50s.
The narrator clearly knows Japanese, for all the Japanese places, terms and names are properly pronounced. For all I know, I don't speak Japanese.
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4 people found this helpful
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- Douglas
- 04-29-16
If you liked
Mishima's weirdly oedipal Sailor Who Fell From Grace, this novel will also appeal, although it is more filled with Japanese history and the narrative does not flow as smoothly
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4 people found this helpful
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- Will Beard
- 06-07-16
Tragedies of a stutterer
Quite a story! That was a geat performance by the narrator. Kudos. The main character is so intolerable yet somewhat fascinating... Worth a listen.
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2 people found this helpful
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- Brendan C. Bush
- 11-09-18
the Wacky (citation needed) Antics of a Loony Lad
Mishima delivers again with a protagonist who is as unsettling, as unfortunate, as he is fascinating. In the backdrop of the fall of the Japanese Empire during the Second World War, the voice talent of Brian Nishii effortlessly paints a beautiful picture of spirituality and introspection with the blood and ashes of his Japan's smoldering defeat, on the canvas hung lovingly in a tea room on the mount.
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1 person found this helpful
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- Espinals
- 12-15-17
What an ending
Great audio book!! the performance was really well executed and complemented the poetic nature of the book.
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1 person found this helpful
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- Hazy
- 06-24-21
5 Stars
I without hesitation give this novel 5 stars across the board. Love Brian Nishii the narrator (have listened to 2 other titles and really liked him).
I have wanted to read or listen to Mishima for quite a while now and finally took the chance with Golden Pavillion. WOW! Utterly loved the entire story. I can imagine some listeners not liking this title as much as I did, but there will be some who will absolutely love it.
I really identified with the machinations of the main character's mind and appreciated a couple of the supporting characters.
Loved The Temple of the Golden Pavillion!
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- abbas
- 12-26-20
Simply Amazing...
Mishima has once again show me how much of a great and complex writer he was, with this book.
The form of his narrative is beautiful and thrilling at the same time! A new eye to the actual real life story of the Burning of the Golden Temple, was greatly put into perspective. Although the book might seem to focus on things that might not be relevant to the Temple, but rather the character alone, it always tied back everything very nicely!
If you want to read Japanese Literature and are considering Yukio Mishima, this title is a great place to start with! Then move on to The Sailor who fell from Grace with the sea.
The narrator also did a great job! He knew what the book truly meant to showcase, and read it nicely!
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- Maria Herrera
- 09-05-20
The fictionalization of a tragedy
On July 2, 1950 a young student set fire to a historic and symbolic temple. His subsequent trial and psychiatric examination becomes part of this novel. The story is one imbued with questions of what beauty is and the reconciliation between it and the imperfect world we live in. Taken another way we can ask what this meant to the author especially in light of Mishima eventual fate.
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- Ryan-ST
- 07-24-19
mistakes in reading
Laertes doesn't have a son in Hamlet. Good tone, but a lot of reading mistakes.
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