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In the night, strange noises arise, and at a distance, in the rain and the mist, mysterious lights are seen drifting among the trees. The rain diminishes with the dawn, but a moody gray-purple twilight prevails. Soon Molly, Neil, and their small band of friends will be forced to draw on reserves of strength, courage, and humanity they never knew they had. For within the misty gloom they will encounter something that reveals in a terrifying instant what is happening to their world, something that is hunting them with ruthless efficiency.
Epic in scope, searingly intimate, and immediate in perspective, The Taking is an adventure story like no other, a relentless roller-coaster that brings apocalypse to Main Street and showcases the talents of one of our most original and mesmerizing novelists at the pinnacle of his powers.
Customer ReviewsMost Helpful
By Don Pearsall on 06-23-04
The book may be good, but how can we tell?
I am only 3 hours into this book. I just cannot understand HOW whoever is in charge of selecting narrators thought the reader of this one was suitable for a best-selling author like Koontz. Like almost everyone else who gave a review, I feel this reader has no place narrating. Her voice is flat, no inflections, no pauses. Kind of like if Rosie the Robot were reading. When she tries to read male quotes, she sounds like she is gargling. It is very hard to get into the book when you are wincing at the narrator's bad reading.
Wait, I know! Maybe they are trying to force people to buy the hard cover book! That's the only reason I can think of to have a bad reader narrating a best selling novel.
Dean Koontz 4 stars, narrator zero stars.
12 of 12 people found this review helpful
By Jaimes R on 05-26-04
And the point was...?
I have loved Dean Koontz for many years. Even in recent years, when others have complained that his stories are too rambling and less exciting, I have still enjoyed his work. This is the first book he has written that I was completely disappointed with.
I get the distinct feeling that this book was seriously rushed. There is very little character motivation, and the only character that isn't completely two-dimensional is the main character, Molly. Her husband Neil might as well have been a potted plant with a shotgun. And maybe it's just me, and the fact that I've read all his books, but the "twists" were not only highly predictable, but also depressingly lame.
As far as theme, he could not have shoved it down the reader's throat any more forcefully. It became highly annoying, and the book would have greatly benefited from a far more subtle approach.
Nothing in the book makes any sort of sense at all because the main character keeps taking up these false explanations (which are far too simplistic), and so you must wait until the final chapter to figure out what at least some of it meant. The ending, sadly, was the most frustratingly sophomoric ending he has ever written.
Add to that the little-girl voice of the narrator who pronounced at least a handful of words wrong, and you have a sad mixture.
The only good things I can say about this book are that Koontz still has a way with metaphors and his descriptions are vivid.
193 of 217 people found this review helpful