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At first I thought that the narrators emulating Truman Capote's voice and inflections would be grating but as it turns out, that actually added positively to the reading and listening.
Caasandra Campbell and Paul Boehmer did a great job.
The down side is, if you're under say, the age of 55, you probably won't get a grip on the character that Capote truly was merely by hearing the narrators' really good impersonations of his persona via voice. I might be wrong, but I believe that you almost have to have had a somewhat vague impression of him from that time period to really understand and get into this book.
Ms. Benjamin did a super job in painting the characters and overall, the book is a really good listen.
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Some readers will have little interest in these characters and their world, floating like whipped cream on top of the Fifties and Sixties. The complex of relationships between Truman Capote and his "swans" (wealthy, socially powerful, gorgeous society women: Babe Paley and her sisters, Slim Keith, CZ Guest, Gloria Guinness, Marella Agnelli, Carol Matthau, Gloria Vanderbilt, Pamel Digby Churchill Heyward Harriman and others); and their husbands, esp Bill Paley, is here treated in a "non-fiction novel", a literary form Capote claimed to invent, and used to impressive effect in his masterpiece, In Cold Blood.
Benjamin is not a stylist at Capote's level, but she writes well. (I should mention that i listened to an audible version instead of reading print.) She brings to life the emotional activity behind all that luxurious beauty and social perfection - she is esp good with Capote, Babe Paley, Slim Keith, and Bill Paley, our principle players.
I was already familiar with many of these stories, esp Capote's triumph and fall, and the aftermath of the story La Cote Basque, 1965. Many other reviewers have given vivid intros.
For me, the weakest points are:
The symbolic bookends at the beginning and end, happily brief.
The dialogue at the imagined "swan power lunch" after the Esquire publication, which seems somewhat weak.
The re-working of who might have left the stains on those sheets. While Benjamin's version has some poignancy, Benjamin's choice, who cared deeply for Babe, would never have behaved so - and this version undercuts the point of Truman's story: the deliberate insult the old-money, un-swan-like WASP wife intended to wield as she conveyed her contempt for the Jewish mogul who dared to believe himself in her league.
The best parts are the voices of Truman, Babe, Bill, and Slim, who come to life. They grew on me until they felt fully formed. The writer makes real the fragile trust Truman and Babe hold in each other, until he goes too far.
I wish someone would publish depth biographies of these swans and their world, and i would also love a photographic history. We can be nostalgic because this world is as lost as Fitzgerald's hopes and dreams, as given to Gatzby. These socialites already seemed quaint and "as seen through a glass" in the seventies, and Amanda Burden, Babe Paley's daughter, has chosen and succeeded at a very different and modern sort of life.
Curously the most successful of these swans, in the terms of today's worldviews, are Pamela Harriman, "the courtesan of the century", the least swan-like, who transformed herself into a real power with a notable career; CZ Guest, gardening expert, and to appearances the least fragile, most confident and emotionally whole of this group, and the one who stayed in touch with Capote; Gloria Vanderbilt, survivor of a horrible childhood, also re-invented herself as a notable businesswoman.
I started this expecting a "beach read" and found much more.
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