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This was a delicious book that wove, history, magic, art and science with intrigue and a group of wonderful characters! I can't wait for the author's next book!
1 of 1 people found this review helpful
I had high hopes for this novel. So many positive critical reviews, a time in history that fascinates me, a country I dearly love, and what sounded like some really interesting characters. All this with Simon Vance's narration? How could I resist?
But I wish I had.
The basic publisher's book description sets the scene: Emil Larsson encounters a cartomancer at a gaming house, she reads his cards, and thus are set into motion the events of the novel.
As a commercial artist, Ms. Engelmann certainly does have an eye for sensory detail. To name but one example, the reader learns more than she ever wanted to know about the subject of fans, their construction, uses, and "language." While this is the special interest of one character, the Baroness Uzanne, some may find this quantity of detail a bit much. At times it felt as if Ms. Engelmann tried to include every bit of fan-related knowledge she acquired, whether or not it added anything to the story.
The characters were not very believable, nor did I care much what happened to them. Possibly this is because they are of secondary importance to the structure in which this story is told. And that, for me, was the real problem: the over-reliance upon form is fatal to this novel. From the outset, the structure of "the Octavo" does not so much underpin the structure of the story as visibly dominate it.
When Sofia Sparrow reads the cards for Emil, she tells him "....any event that may befall the seeker can be connected to a set of eight people, and the eight must be in place for the event to transpire." These are: the Companion, the Prisoner, the Teacher, the Courier, the Trickster, the Magpie, the Prize, and the Key, all of which center around the Seeker. This construct made the book feel very much like the result of a creative writing course in pseudo-mythic storytelling. (As an aside, there is another book, "The Octavo Handbook" that is sold as a divination guide on the author's website).
I was also hoping for a somewhat more original set of circumstances, or at least an interesting treatment of known circumstances, in an historical novel. Although the period may be unfamiliar to those who know little of Sweden, the story itself is just a dressing up of a theme treated many times before. To name but two examples, Daniel Auber's opera of 1833, and Verdi's 1859 "Un ballo in maschera" were also inspired by the times of King Gustav III, and in particular, his assassination during a masquerade ball.
Better luck next credit.
2 of 3 people found this review helpful