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Publisher's Summary

Audie Award Finalist, Literary Fiction, 2014
Soon to be a TV Series on AMC starring Pierce Brosnan and co-written by Philipp Meyer.
The critically acclaimed, New York Times bestselling epic, a saga of land, blood, and power that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century.
Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, The Son is a gripping and utterly transporting novel that maps the legacy of violence in the American west with rare emotional acuity, even as it presents an intimate portrait of one family across two centuries.
Eli McCullough is just twelve-years-old when a marauding band of Comanche storm his Texas homestead and brutally murder his mother and sister, taking him as a captive. Despite their torture and cruelty, Eli—against all odds—adapts to life with the Comanche, learning their ways, their language, taking on a new name, finding a place as the adopted son of the chief of the band, and fighting their wars against not only other Indians, but white men, too-complicating his sense of loyalty, his promised vengeance, and his very understanding of self. But when disease, starvation, and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized or fully wild.
Deftly interweaving Eli's story with those of his son, Peter, and his great-granddaughter, JA, The Son deftly explores the legacy of Eli's ruthlessness, his drive to power, and his life-long status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege.
Harrowing, panoramic, and deeply evocative, The Son is a fully realized masterwork in the greatest tradition of the American canon-an unforgettable novel that combines the narrative prowess of Larry McMurtry with the knife edge sharpness of Cormac McCarthy.
©2013 Philipp Meyer (P)2013 HarperCollinsPublishers
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Customer Reviews

Most Helpful
5 out of 5 stars
By Mel on 06-04-13

Five Stars for the Lone Star, The Son, & Meyer

Thud! Hear that? It's the sound of a book hitting the floor from the top shelf because one of those previous 100 Best Books is hitting the ground to make room for The Son. This is The One that you wait for, hope for, and love every minute you spend reading or listening.

Meyer's new novel has already earned comparisons to the works of Cormac McCarthy (Blood Meridian), Larry McMurtry (Lonesome Dove), James Michener (Texas), and Edna Ferber (Giant)--and justly so, as one of the most entertaining novels of the American West ever written, and probably the book to bet on as the biggest blockbuster since The Help. Spanning four generations of Texans--from the first man born into the Republic of Texas in 1836, the grand patriarch Col. Eli McCullough, to the death of his great granddaughter/oil baron, Jeannie McCullough in 2012.

Meyer is an exciting, fresh-voiced author with an historian's flair. He layers this family saga with the colorful mythopoeic history of our unique American West, painting a rugged land, fought for, and inhabited by the white man, the Indian tribes, and the Mexican people. The land itself seems a part of these people, running through their veins like the blood they shed to claim a piece of the frontier. Three family members narrate the story of the Texas McCulloughs:
Eli narrates the frontier years, beginning as a young boy kidnapped during a violent Comanche raid where he witnesses the brutal murder of his mother, sister, and brother. Eli is taken and raised as a Comanche. Instinctually, he fights to survive among what history calls the most savage tribe of Indians. When finally returned to the white society, he has embraced the Comanche so completely that he rejects the life of his childhood, and is seen as an outcast, a *white Comanche*, "either hero or sociopath." In his voice the book is alive and vivid--his young observations of a foreign harsh world so achingly raw and interesting that this time alone would have been a captivating book.
Peter McCullough, the son and resentful heir to the cattle and land fortune amassed by his father Eli, is the conscience of the book--the tender hearted, tragic love-struck narrator, traumatized by a brutal raid against a neighboring Mexican ranching family, initiated by his father and his Vaqueros under the guise of recapturing stolen livestock. Peter is disgusted by his father's legacy, trapped by his role, and stuck in a loveless marriage.
Jeanne Anne is the gutsy great granddaughter of Eli, born in 1926--a tough oil baroness with the hide of an armadillo, that must fight to be accepted in a *man's business*. Meyer gives her a strong and authentic presence, and captures her inner-battles of carrying on the family legacy and raising her own family. The three narrations wind in and out of each other with an unhindered clear progression that moves the saga along effortlessly, until the mighty family trickles to just a stream.

The evolution is bloody and brutal. Meyer relates the unsparing events detached from emotion, offsetting the horrific deeds with the instinct for survival - and the need for prosperity...the path of all histories. The violence is also set against the backdrop of the natural beauty of the American West - the rugged and unforgiving landscape, the choreography in the hunting of buffalo, raising cattle, excavating for oil, It is the process of birth in nature and life and seems organic. With these filters, the violence is authentic to the history and never grabbed me as gratuitous or manipulative. You listen with a strange sense of acceptance. (I wasn't aware that some of our *current slang* ain't so current.)

You hear a rattle and a native drumbeat, joined by a strumming guitar and the chords of a melancholy harmonica--and finally the smoky twang of Will Patton's voice hits your ears. It's all like the thrill of hearing the swelling surround-sound envelop you at a theatre...there's an excitement already to this one, promising an adventure that is delivered with perfection. A powerful, raw story, from an author destined to be known and a book that won't be forgotten. The Son kept me spellbound and left me looking back, yearning for more of this journey across Texas through the years.

*This is already so long, but I thought the interview with Meyer featured on Amazon was worth mentioning. His research process and commitment were very interesting.

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176 of 187 people found this review helpful

5 out of 5 stars
By Darwin8u on 06-16-13

The blood that ran through history

First, I need to thank (@Melinda) for recommending this novel. I read American Rust a couple years ago and loved it, but might have missed this nearly perfect novel if I hadn't stumbled onto Melinda's fantastic review and been gently prodded by her into reading it.

There are certain rare novels that brilliantly capture the art, heart, and action of both American fiction and history. 'The Son' is one of those historical novels that can absolutely propel the reader. Its narrative strength, however, is equaled by its artistry and its multi-generational, multi-narrative, epic arc. 'The Son' captures the tension between land and people; the contest between people and people; the struggle between fathers and sons. 'The Son,' is the history of Texas and the West told through three generations of Texans: Eli McCullough (born 1836: the year Texas became a Republic/thesis), his son Peter (born 1870/antithesis) and Peter's granddaughter Jeanne Anne (born 1926/synthesis).

This is a novel that is a pure descendant of Melville, Faulkner, Cather and McCarthy. These authors set the stage that allowed Meyer to carve an epic novel out of the rich soil of the Earth and to shoot another Western myth into the the innumerable stars in the sky.

I'm usually not a fan of multiple narrators for a book, but 'The Son' was well served by four strong narrators (lead by Will Patton).

I really can't recommend this book enough. One of my favorite books/novels/audiobooks of the last several years. Seriously, if you have one credit left in your cache, I would recommend using it RIGHT now to buy rights to this novel. You won't regret it, but your children may--eventually.

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80 of 91 people found this review helpful

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