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It is now up to them to ask the questions no one seems to want answered: Is Roy a killer? Who murdered Bergin? With help from some surprising allies, they continue to pursue the case. But the more they dig into Roy's past, the more they encounter obstacles, half-truths, dead-ends, false friends, and escalating threats from every direction. Their persistence puts them on a collision course with the highest levels of the government and the darkest corners of power. In a terrifying confrontation that will push Sean and Michelle to their limits, the duo may be permanently parted.
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By P. Giorgio on 05-16-12
i DON'T KNOW WHY THIS WAS WRITTEN
Lousy, stupid plot, predictable. Too many dead people in too little time. The apparent bad guy turns out to be on the right side. The "saves" are illogical and ill-conceived. The language is childish. The dialogue is stilted and transparent.The author's hand is in every sentence, leaving you no sense of dread or excitement or terror -- nothing!!! The plot was so stupdily convoluted that we had to be hand held by the author's constant explanations in order to keep staright all the bodies and two-faced actors.
The final outcome, the final twist/surprise/last minute showdown was so, so, so, so over the top, (in terms of credibility) it was laughable. The final confrontation, which concerned a suprise bad guy, took the book's previous action from simple murder for convenience to animal attack and emotional aggression -- the book previously had none of that. It's as if the final antagonist had been an animal held back for the final kill. Throughout the book, that character was mild and self-effacing and showed absolutely no proclivity toward the violence to come. It was as if the writer had to come up with something quick. YUCK!
Also, I did not get a sense that there was any magnetism between Shawn and Michele. Found it unlikely that they had ever had a "thing" in the past.
These comments come from someone not familiar with the series. If this is representative of Baldacci's series in general, I'm out.
About that narration: Horrible. How can they use a woman's voice to speak the woman's parts and then the man says, "she says?" What moron thought that was a realistic rendering of speech? Even a child would find it annoying. The woman's voice reminded me, alternately, of Betty Rubble and Wilma Flintstone.
Very bad. One credit burned for nothing.
2 of 3 people found this review helpful