A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love.
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks - and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.
This book, which grew out of 15 years teaching in MFA programs, is itself a model of the lucid intelligence that has made Gornick one of our most admired writers of nonfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.
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Gornick is OUTSTANDING!
If only the reader knew how to read, the Situation and the Story would be up to par with the author. Vivian Gornick is a mastermind of the personal narrative essay, a New Yorker!, and one who grasps her art without bravado. Why didn't you read your own story??
The book is clear and to the point - Vivian Gornick is a cornerstone to the literary world.
The AUTHOR! "The unsurrogated narrator has the monumental task of transforming low-level self-interest into the kind of detached empathy required of a piece of writing that has to be of value to the disinterested reader."
Barely talks about the difference between Situation and Story