This is a gripping novel about two sisters who are left homeless by their mother's death and the lengths the fierce older sister will go to protect her beloved young charge.
The hardscrabble Chase women - Mary, Hannah, and their mother, Diane - have been eking out a living running a tiny seaside motel that has been in the family for generations, inviting trouble into their lives for just as long. Eighteen-year-old Mary Chase is a force of nature: passionate, beautiful, and free-spirited. Her much younger sister, Hannah, whom Mary affectionately calls "Bunny", is imaginative, her head full of the stories of princesses and adventures that Mary tells to give her a safe emotional place in the middle of their troubled world.
But when Diane dies in a car accident, Mary discovers the motel is worth less than the back taxes they owe. With few options, Mary's finely tuned instincts for survival kick in. As the sisters begin a cross-country journey in search of a better life, she will stop at nothing to protect Hannah. But Mary wants to protect herself, too, for the secrets she promised she would never tell - but now may be forced to reveal - hold the weight of unbearable loss. Vivid and suspenseful, The Sisters Chase is a whirlwind novel about the extreme lengths one family will go to find - and hold on to - love.
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Starts well, peters out
- B. Steele
Did this book have an editor???
An editor, character development, better dialog, better pacing, better writing overall.
Every Last Lie, by Mary Kubica
She did a decent job with poor material.
I would cut the boyfriend in CA, he was a poorly developed plot device. His presence is necessary to the story, which is another reason why this book is so bad.
Did this book have an editor??? I am amazed I made it through this book. The structure is terrible, going from details about trivial things, to rambling on and on about unimportant elements. There are full scenes that have nothing to do with the story at all. The very few times my interest was peaked, it was followed by drivel. This story moved in an almost stuttered pattern, picking up a tiny bit of steam, then grinding into drudgery. Mary and Hannah were never fully developed, and Hannah basically played the role of a prop, serving only to be the reason for Mary's reckless and unpredictable behavior. Unfortunately, even having Hannah in the prop role, the emotions and flaws behind Mary's decisions were never fleshed out. The statement, "Mary (and several others) let her head drop to the side" before speaking, was over-used and one of the scarce humanizing descriptions. Also, the obsession with the characters' breath was annoying and over-used. And the dialog? Ugh, it was absolutely terrible. The author needs to find another way to say "he said" and "she said". This was a poorly written, poorly paced book filled with a ton of nonsense and unimportant events.