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Because this is one of the novels released in Audible's *A-List Collection*, I'll begin with the perfect match-up of this novel to narrator, Jennifer Connelly. Flaw Less. With an hypnotic voice, Miss Connelly brings the voice of author Bowles alive. If you are familiar with the ex-pat author and composer, you might even hear his attitude in Connelly's reading. I've listened only to 3 books from the A-List Collection, but all have been solid pairings of novel and narrator. Connelly was sublime.
I was simply - seduced, from the introductory beat of exotic tribal drums. As the novel progressed, I did not like these nihilistic snoots, Kit and Port, so self-absorbed that they don't wait for night to fall--rather they wait for the *night to come to them*, but I was mesmerized by them. Tired of Paris, Rome, wishing to escape anywhere touched by the war (WWII), Kit and Port stuff their trunks and cross the Atlantic to the N. African desert. They sit on the terrace of a desert cafe where the "air has no movement", surrounded by Arabs in fezes in shades of red, they in their European clothes, "in the manner of people who had all the time in the world for everything." Kit finds a piece of rabbit fur in her rabbit soup after swallowing a spoonful, after devouring a bowl of noodles Port notices the floating bodies of weevils, they suffer illness (and worse)...I had no sympathy for these inhumane people, but I was fascinated -- to quote Bowles quoting Kafka..."From a certain point onward there is no longer any turning back; that is the point that must be reached."
Kit and Port Moresby (MOREsby surely couldn't be coincidental), are not the antagonists of this story -- it is the Sahara, and the solitude that ignores station, caste, or status . As Bowles goes on to drive these two further into the desert the story becomes bizarre, to say the least, but these mysteries should remain until you discover them for yourself. A bit similar to Hemmingway's band of ex-pats in Paris from The Sun Also Rises; and there is no escaping the obvious...this is Existentialism, very reminiscent of Camus' The Stranger. A particular passage haunts me: an Arab tells the tale of 3 sisters and their quest to have tea in the Sahara on the highest dune (Sting wrote a song about the tale "Tea in the Sahara"), it was strangely exquisite and visual.
The aberrations, the atrocities, the perversions, are handled with a genius touch. No violence is described, even in the most brutal situations, but you know what went down and can feel the horror of the situations because of Bowles ability to communicate without spelling out the details. It was in these moments that I felt the most fascinated and connected to this haunting book. (It struck me as I began listening the second time around that Bowles has created a novel that has been intelligently streamlined, to where everything, every detail and every word, is a necessary part of a perfect whole.) I disliked it until I loved it. Sheltering Sky will not have wide appeal, I wouldn't suggest it to my book club without expecting to lose my turn at choosing, but for me personally, I'm obsessed. Recommending this book reminds me of recommending a Rothko exhibit...you either love it and appreciate the talent that can capture the subtleties of blue fading into black...or you hate it and think you're kid could do that. This novel goes on my favorite list - the short one, and I'm already listening again.
73 of 80 people found this review helpful
Paul Bowles masterpiece reminds me of some alternate, trippy, version of Fitzgerald's Tender Is the Night, but instead we see the other side of the Mediterranean. Tangier and the deserts of North Africa take the place of the South of France. A different love triangle exposes different forms of loneliness, madness, love, and existential expats.
The thing I love about Bowles is he brings a composer's mind to writing. His novel isn't propelled forward by a strong plot (although it has plot) or attractive characters (none of the characters are very attractive), but the music of his language itself pushes and pulls, tugs and compels the reader page after page. It felt very much like I was floating limp and languid in Bowles prose as his hypnotic sentences washed over me and drifted me slowly toward the inevitable end.
Connelly captures the mood, the magic, the sadness and the tension of the book perfectly.
Most days, I don't feel a real need to read/listen to a book twice. But I might need to make an exception for 'The Sheltering Sky'.
27 of 31 people found this review helpful
A very moving story. It's hard to break listening.
Excellent performance by Jennifer Connely.
Her voice is perfect. Please, more of her.
1 of 1 people found this review helpful
Yet to discover what the story is about - the narration was so flat that my mind kept drifting off. Such readings need to be voiced by a trained stage actor in order to enact the drama and compel one to listen.
Bowls language is, at times, exquisite, as he follows two of his compatriots into the Sahara.
My only criticism would be the lightness of the ending. Its power ever so slightly fades.