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Publisher's Summary

Winner of the 2017 Baileys Women's Prize for Fiction
What would happen if women suddenly possessed a fierce new power?

In The Power, the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power - they can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets.
From award-winning author Naomi Alderman, The Power is speculative fiction at its most ambitious and provocative, at once taking us on a thrilling journey to an alternate reality and exposing our own world in bold and surprising ways.
©2017 Naomi Alderman (P)2017 Hachette Audio
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Customer Reviews

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By Kelli on 11-13-17

Amazing Audio Performance

Super weird science fiction set in the near future that seemed oh so real to me. Some parts bordered on horror and language was edgy so this might not be everyone’s cup of tea, but it was a very satisfying read at this moment in history. What woman would not want the power to shock the daylights out of someone (read: a man) with just her thoughts! Kudos to Naomi Alderman for her creative twists and turns and for making me see the world we live in now from a new angle. Would love to discuss this one with a friend over coffee or a glass of wine. Audible 20 Review Sweepstakes Entry

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3 of 3 people found this review helpful


By Michael on 10-16-17

Brilliant idea, executed pretty darn well.

I've been waiting for this book for some time. The premise sounded fascinating. For the most part, it didn't disappoint; certainly, it gave me a lot to think about. The multiple narrators were probably necessary (think Winds of War), but didn't allow us to really get invested in them, maybe with the exception of Roxy (but that might be partly the result of Andoh's brilliant rendering of her particular voice). Speaking of the reader, Andoh absolutely nails the multiple British and Nigerian speakers, but her American voices are as usual more caricature than character: either excessively nasal or excessively Southern, both with occasional lapses into British ("been") pronunciation and sounding just kind of simple. Her Eastern European accent is almost comically Dracula-like (yeah, I know, Romanian, but still). But if there's anyone to really root for-- and sometimes we need that --, it's Roxy.

Is it a feminist book? Maybe? I mean, yes, it makes you think about what we expect of women and men, respectively. I was watching a football game today and wondered how guys would feel if men in tiny tight outfits were dancing around athletically on the sidelines. But it's mostly a book about what happens when one gender (country/class/group) has more power than the other: some people can handle it with something like fairness, some are transformed into monsters. Alderman explores this idea with intelligence and curiosity rather than a glaring agenda (thinking of the self-justifications Mayor Cleary becomes adept at employing). Alderman also incorporates social media and conspiracy communities into the story well, acknowledging the impossibility of controlling a government or movement or religion once the ball gets rolling. But the book feels a little uneven, possibly rushed in the second half especially: the timeline of events is a little over-constructed, and the new (5000 years after the Cataclysm) society is awfully and maybe implausibly similar to our own. Maybe it should have been a trilogy or something, Oryx-and-Crake style.

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5 of 6 people found this review helpful

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