Christopher Buehlman excels in twisting the familiar into newfound dread in his genre-bending novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet.
The secret is, vampires are real and I am one. The secret is, I'm stealing from you what is most truly yours and I'm not sorry.…
New York City in 1978 is a dirty, dangerous place to live - and die. Joey Peacock knows this as well as anybody - he has spent the last 40 years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city's sidewalks.
The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It's almost too easy.
Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.
And neither are the rest of us.
"As much F. Scott Fitzgerald as Dean Koontz." (New York Times best-selling author Patricia Briggs)
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Just fell in love with the main character...
- Doris Suarez "Living in Northern NJ. Addicted to that spine-tingling rush of fear."
Best work yet.
Hearing the author read it in the voice he's created really added to the story. The descriptions were more believable from the character's perspective.
Reading the book read aloud in the first person narrative made this my favorite of Buehlman's novels. He's hit his stride and it's so enjoyable to hear him finally reading in these character's voices. His work with dialects adds greatly to the audio.
Buehlman is writing action that is matched up with his pacing. He's gotten into a rhythm that suits the storytelling, and that gives the audience a chance to arrive with the characters.
- Stephen "Born in the back of a travelin' show, Mama used to dance for the money they'd throw."