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I am not a Titantic fan, but if you are considering this download because you are, know those sections are a small part of the novel, though that tragedy colours the entire narrative.
I downloaded this mainly because of the blurbs promising an "atmospheric" read/listen - Maybe it's better read; The narrator seems the wrong choice to create period atmosphere.
I???m not sure which novel unleashed the stream of recent historical fiction with storylines exploring the beginnings of psychiatry, but it takes a very skillful novelist to do that well ??? this is a near miss on that count, too.
The author recreates the external world well, but could have learned from Edith Wharton???s tone and characterization style to weave a more convincing story. There are also small continuity errors ??? not due to the interlude flashbacks (which were well-done) but more like editing glitches between drafts. I wouldn???t have noticed these in a better paced narrative. I enjoy a tale told slowly and gently, but that pace didn't suit here. Unless I was really tired when listening, I played long sections on double speed and felt that I missed nothing. There are some very good parts to the novel, but it was an unsatisfying whole, as assembled. This author is better than this -- I look forward to her next book.
13 of 14 people found this review helpful
The bones of this story seemed so good: An exploration of how love may redeem grief, woven around a plot that include the Titanic disaster, spiritualism, and the social upheavals of the early 20th century. What could go wrong?
Well, for one thing, there isn't a single character who is not annoying in the extreme -- particularly the protagonist, Sybil, who has lost her mother and sister to drowning, and her almost-fiance to marriage. Sybil flutters and fidgets, whines and worries, and the author traps us with her in a paralytic mess of trivialities. Her mother and sister, drawn in flashbacks of their Titanic experience, are so shallow and screechy that you can't wait for the waters to close over their heads. And there is no apparent reason for anyone to loooove Benton, the object of Sybil's affections, who spends most of his time grabbing hunks of his thick dark hair and scowling and muttering.
But the annoyances of the characters are dwarfed by the irritation I felt with the narrator. In a voice that sounds like it belongs to a 13-year-old girl who is trying to suppress a bad case of the giggles, she coos and simpers and puts on a verbal frowny face when something bad happens. She growls the voices of the male characters and make the Irish maid sound like a leprechaun while Benton, for some reason, seems to have time-travelled back from Soviet Russia. Granted, she has some painfully stilted dialogue and a fussbudget of a plot to work with, but did she really have to deliver the entire novel as though it were a hellishly long version of Goodnight Moon?
Not that I listened to the entire novel. I tried, God how I tried. I got about a third of the way through and had to stop when I realized that the voice yelling "Shut up, you whiner!" at the speakers was mine. I not only stopped listening, I returned the selection so that I wouldn't have to see it on my devices and get annoyed all over again. I would recommend this book only as a passive-aggresive gesture toward my shallowest frienemy. Save your time and credits for a real story with at least one character you might like, narrated by a grownup.
4 of 4 people found this review helpful