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Editorial Reviews

Editors Select, October 2013 - It's already been an amazing season for literary fiction - you can't go wrong with a new Jhumpa Lahiri novel, and Dave Eggers and Amy Tan will also be hitting our virtual shelves soon - but Donna Tartt's The Goldfinch is truly one of the most anticipated books of the fall. I confess that I haven't been able to dig into it yet, but the early reviews I'm hearing from trusted colleagues have moved The Goldfinch to the top of my listening list. Sure it's long (ahem, credit-worthy), but the commitment is worth it, with the same intense suspense and character development that made The Secret History, Tartt's debut, a modern classic. —Diana D., Audible Editor
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Publisher's Summary

Audie Award Winner, Solo Narration - Male, 2014
Audie Award Winner, Literary Fiction, 2014
The author of the classic best-sellers The Secret History and The Little Friend returns with a brilliant, highly anticipated new novel.
Composed with the skills of a master, The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling force and acuity.
It begins with a boy. Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love - and at the center of a narrowing, ever-more-dangerous circle.
The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.
©2013 Donna Tartt (P)2013 Hachette Audio
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Critic Reviews

Narrator David Pittu accepts the task of turning this immense volume into an excellent listening experience. Pittu portrays 13-year-old orphan Theo Decker with compassion, portraying his growing maturity in this story of grief and suspense…Pittu adds pathos to his depiction of the troubled Theo as he deals with addiction and finds himself in a dance with gangsters and the art world's darker dealers. ( AudioFile)
"Dazzling....[A] glorious, Dickensian novel, a novel that pulls together all Ms. Tartt's remarkable storytelling talents into a rapturous, symphonic whole and reminds the reader of the immersive, stay-up-all-night pleasures of reading." ( New York Times)
"A long-awaited, elegant meditation on love, memory, and the haunting power of art....Eloquent and assured, with memorable characters....A standout-and well-worth the wait." ( Kirkus, Starred Review)
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Customer Reviews

Most Helpful
2 out of 5 stars
By Bonny on 11-04-13

Boy, am I in the minority on this one.

I wanted very much to love this book. I loved Secret History. I'm almost 3/4 of the way through The Goldfinch, trying to hang in there, switching it off in irritation . . . thinking "this is getting such positive reviews; maybe it ends up somewhere better than this," switching it back on . . . and now I'm giving up. It has a great story idea. The opening, particularly once we get to the museum, is very well done. Most of the rest of the book I found incredible repetitive and overwritten. Often the writing is just not good. The author uses seven descriptive terms rather than choosing the best. The protagonist often walks around dazed, confused, blasted out of his mind, stoned out of his mind, and did I mention dazed and confused? It beggars belief that someone this drug- and alcohol-addicted could make it to the age of 27 or 30 able to function in his job and without the people around him noticing. I wanted to send him to rehab. People ask him questions and he repeatedly answers "huh?" "what?" "but –" There is some good in the book, certainly. Boris is a great character and David Pittu does such a good job with him that he keeps talking in my head. Overall I feel David Pittu tries too hard to inflect every single word, and it's exhausting. Let the words speak for themselves. I feel the book is at least half again as long as it should have been. How many detailed and exhaustive scenes of teenage boys getting blasted, stoned and drunk do we need to convey this part of the narrator's life? It just goes on and on. Like my review. So I'll sign off now.

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655 of 713 people found this review helpful

2 out of 5 stars
By jeff on 02-11-16

Tried twice couldn't make it through

What could have made this a 4 or 5-star listening experience for you?

There is no doubt this is an interesting story idea but it is a slog to get through. Scenes are painfully long and tedious. The book would benefit from some editing. Maybe half as long would have been more than enough.

My second attempt was in a 14 hour care ride with my wife. Nothing else to do but listen to the book. We made it about 4 hours before we gave up

Would you ever listen to anything by Donna Tartt again?

I would only give Donna Tart another try if the reviews were by people who didn't like this book and could explain why the other book was different. Her writing is terrific but the pacing is glacial.

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30 of 32 people found this review helpful

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