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I wanted very much to love this book. I loved Secret History. I'm almost 3/4 of the way through The Goldfinch, trying to hang in there, switching it off in irritation . . . thinking "this is getting such positive reviews; maybe it ends up somewhere better than this," switching it back on . . . and now I'm giving up. It has a great story idea. The opening, particularly once we get to the museum, is very well done. Most of the rest of the book I found incredible repetitive and overwritten. Often the writing is just not good. The author uses seven descriptive terms rather than choosing the best. The protagonist often walks around dazed, confused, blasted out of his mind, stoned out of his mind, and did I mention dazed and confused? It beggars belief that someone this drug- and alcohol-addicted could make it to the age of 27 or 30 able to function in his job and without the people around him noticing. I wanted to send him to rehab. People ask him questions and he repeatedly answers "huh?" "what?" "but –" There is some good in the book, certainly. Boris is a great character and David Pittu does such a good job with him that he keeps talking in my head. Overall I feel David Pittu tries too hard to inflect every single word, and it's exhausting. Let the words speak for themselves. I feel the book is at least half again as long as it should have been. How many detailed and exhaustive scenes of teenage boys getting blasted, stoned and drunk do we need to convey this part of the narrator's life? It just goes on and on. Like my review. So I'll sign off now.
577 of 623 people found this review helpful
No question, this will be on my "favorite books of the year" list - and very near the top. Tartt examines some very big topics - love, loss, death, life, forgiveness, redemption and addiction - and she does so with a skill that's secondary to none.
The main characters are BIG - in personality, flaws, strengths - and enormously engaging. I adored Theo, Boris and Hobie and have loved having them live at my house while I was listening. There's a sense of loss now that they're gone.
I've read some harsh reviews of the narrator and I don't understand that. I thought he was perfect for this book. It was a fresh take. His interpretation of both Boris and Hobie was delightful. I never would have imagined those voices if I'd read this in print. It was an added dimension that made it all the more enjoyable.
With more than 30 hours of engaging story, this is one of the most credit-worthy books around. Really, what could be better? It's a good long listen that's beautifully read. I wish they were always this good.
251 of 276 people found this review helpful