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This story had me engrossed from the start, and it was moving, beautifully written, and touches the heart. Though this story took place in India, it could have been set in many other places where there are taboos, social strata, and a class society - which means, almost anywhere. What was unique to India, was of course, the atmosphere, the landscape, the color, often quite dreary, and Roy depicted this beautifully. The narrator, Aysha Kala was just sublime. Her voice is sweet and calming, she handles the delicate and difficult parts with sensitivity and delicacy. She also does a wonderful job of speaking in Indian English when called for, but I would not want to see her typecast for Indian stories (or parts), alone. She is too versatile for that. She did a great job with other accents, her natural accent is lovely, and she did a fairly credible job with an American accent. I’d love to hear much more from Kala, and hope that since she is quite young I have a lot to look forward to. Aysha - I hope you read this! Kudos to you!
More than a story, this impressionistic word painting captures the unfolding of events and conveys history as lived by the two children and their mother, protagonists. Amazing delivery of imagery and especially of the way that children are affected by grown-ups. Great narration.
It has been a long wait. Twenty years after the print publication of “The God of Small Things”, and with 6 months until the planned release of Arundhati Roy’s second novel, “The Ministry of Happiness” it is a great joy to finally have an unabridged audio edition of “The God of Small Things” available.
Roy’s novel grows slowly, a piece at a time. The further into the story we get the more we begin to understand what has gone before - how earlier information fits into the new pieces. From a small shoot the novel grows into something very large, where events will irreversibly affect many lives.
The novel won the 1997 Man Booker Prize and I expect that it was both the captivating story and the beautiful prose that made it stand out. To me both were absolutely magical.
Aysha Kala’s narration is, for the most part, wonderful. There are minor distractions, one word I think she may have misread, a brief slip of an accent and there are a couple of glitches in the recording toward the end of the book.
Overall I think a book of this stature deserved better treatment. I am so grateful it is available unabridged in audio that I am happy to overlook minor flaws in the production.
If you’ve wondered about the book & are considering spending a credit on it, do. It’s one of a kind - at least until the release of “The Ministry of Happiness”.
10 of 10 people found this review helpful
Read this when it first came out and it instantly became my favourite book. I have come back to it all these years later on audible and it is every bit as captivating, pulling you into the lives of the characters and making you feel everything.
The book covers many, many upsetting topics (partner abuse, child sexual abuse, death, murder) it talks about the caste system and rules of men and women. It does all this in such a vivid, almost palpable way that you can't help but finding yourself deeply involved with the characters in such a way that you come away feeling angry, elated, frustrated, hopeful, sick, distraught and much more.
5 of 5 people found this review helpful
I wasn't sure whether to read this as an audiobook or on Kindle, but I'm really glad I went for the audiobook. Aysha Kala's narration goes above and beyond. A great match for the author's sly wit. She does an awesome job with all the characters, but in particular, she captures the children's playfulness in a way that brought me a creeping sense of foreboding, and that eventually broke my heart, as the story unfolded. I've churned through a lot of audiobooks; very few are read as wonderfully as this one.
The story itself is beautiful and a very worthy Booker winner.
This book takes a little while to get into but you will be thoroughly rewarded if you stick with it