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Publisher's Summary

Quite unexpectedly, Mrs. Oedipa Maas finds herself the executor of the estate of Pierce Inverarity, a man she used to know in a more-or-less intimate fashion. When Oedipa heads off to Southern California to sort through Pierce's affairs, she becomes ensnared in a hilarious and puzzling worldwide conspiracy.Calling Thomas Pynchon a "virtuoso with prose", the Chicago Tribune compares his work to James Joyce's Ulysses. Pynchon, winner of the National Book Award, has shocked, enthralled, and delighted fans for more than 40 years with his satire and wit.
©1965, 1966 Thomas Pynchon; (P)2005 Recorded Books
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Critic Reviews

"The comedy crackles, the puns pop, the satire explodes." (The New York Times)
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Customer Reviews

Most Helpful

By James on 08-12-07

Good book, Average recording

The book itself is a modern classic that I thoroughly enjoyed. Pynchon's style, while quirky and oddball, is rich and enjoyable. For the uninitiated Pynchon reader, TLC49 is a great start before delving into his longer more complex works.

The book is fairly well read. However, my biggest hang-up is with the recording itself. From the start, the myriad nasal whistles, throat gurgling and other extraneous noises had me distracted and, by the end, raw with annoyance. Not sure if I should blame the narrator or the recording engineer. Anyway I found that listening in a place with ambient noise made the recorded distractions more tolerable. If not for this drawback, I would have given the rating another star.

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24 of 24 people found this review helpful

By Paul on 05-10-12

Great novel, terrible performance.

The Crying of Lot 49 remains one of my favorite contemporary novels, but I cannot recommend the audiobook due to Mr. Wilson poor performance as the narrator. He reads like a machine, betraying absolutely no feeling for the work, basic sentance structure, or standard cadence of the English language. I admit that Mr. Pynchon's phrasing is often a bit odd, but Mr. Wilson seems to make no attempt to properly understand or present the more difficult (difficult, but not impossible) passages. Even when reading snippets of poetry or song lyrics, Mr. Wilson fails to demonstrate any sense of rhythm or meter, and manages in one case to deliver a rhyming couplet without the rhyme. I would pass on this one, especially if you have not yet read the book. Thomas Pynchon is not for everyone, but Mr. Wilson's performance here might convince you that Pynchon is not for anyone.

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8 of 8 people found this review helpful

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