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Customer ReviewsMost Helpful
By Sara on 09-18-13
A wandering story that goes on forever.
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I had anticipated this book and even requested it from audible before it was released in the US. I really wanted to love this book but I just couldn't connect with the story. Fairy tale in flavor and tone. It wanders over hill and dale using beautifully written prose but to me just never got to the point. A disappointment in that no matter how many times I try to finish it-- I just can't seem to do it.
39 of 42 people found this review helpful
By Cariola on 03-16-10
A Work of True Genius
The Children's Book is a collection of fantasies--not just Olive Wellwood's evolving children's stories and Stern's marionette shows, but the fantasies lived out by the adults in the decades leading up to the first World War. The expos? of these fantasies is at the heart of the novel. Olive and Humphrey believe in the fantasy of free love: that it causes no jealousy between spouses, nor that it damages any of the seven children in their household, born from various liaisons yet raised to believe they are true siblings. Love, sad to say, does not conquer all, and some in the novel who give it too freely pay a heavy price. Another fantasy: that freedom allows children to grow up happy and full of potential; but freedom taken too far borders upon neglect, and not all children are by nature independent. Another set of fantasies: that art can change the course of world events, and that genius is always to be indulged for its own sake. The list goes on and on. Like the characters' fantasy lives, Olive Wellwood's stories are delightfully magical on the surface yet dark and dangerous underneath.
The novel's style and structure are inseparable, both building on the possibilities and threats in the space between fantasy and reality, between the Victorian age and the new post-world war period. Some readers have complained about excessive details in the first part of the novel; others complain about the brevity of the last. I feel this is intentional on Byatt's part, a verbal realization of the changing cultural and political milieu. The late Victorian period was still addicted to rigid social mor?s and manners, embellishment of one's person and one's home, etc.--and, as such, it gave birth to a myriad of reactionary movements, most of them equally pompous in their moral (or amoral) certitude. On the other hand, the rapid and extensive devastation of the war, a political killing machine gone
14 of 18 people found this review helpful