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Summer Moonshine
- Narrated by: Jonathan Cecil
- Length: 7 hrs and 44 mins
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The hideous Walsingford Hall is home to an odd assortment of coves…The vile premises belong to Sir Buckstone, who is in a little financial difficulty. So for a little monetary help he puts a roof over the heads of people like (among others) Tubby Vanringham, the adoring slave of cold-hearted Miss Whittaker. His brother Joe has fallen head over heels for Sir Buck’s daughter, Jane. She, however, only has eyes for Adrian Peake, who has already formed a liaison with the terrifying - but superbly wealthy - Princess Dwornitzchek. Is there no end to the confusion?
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- Length: 11 hrs and 15 mins
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Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.
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Best Audiobook I Ever Listened To
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By: Neil Strauss - contributor, and others
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Brackish Waters
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When Kate wins an item at her children’s elementary school auction - an all-inclusive trip to SeaView at Sandpiper Bay - she thinks it’s just what her family needs after a decade of career disappointments and a marriage on its last legs. She has no reason to believe that said trip is a Fyre Festival-level fraud and, in fact, the catalyst to her unraveling. But it is. Oh, but it is.
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Christina Applegate is everything
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American Psycho
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Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.
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Fanntastic book but maybe not for everyone....
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Breakfast of Champions
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- Length: 6 hrs and 27 mins
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Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.
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Kurt Was Right to Grade This a C
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Escape from Virtual Island
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In the year 2038, there’s only one destination that can play host to the world’s wealthiest adventure seekers: the Pengalaman Island Resort and Virtual Reality Theme Park. Located on a private South Pacific island, guests here live out their wildest fantasies in custom-made virtual reality simulations while also enjoying the usual amenities of an exclusive five-star getaway. All is relatively breezy until famed billionaire and avid guest, Mr. Wagner, goes missing within a virtual simulation. His only hope? A daring rescue led by Derek Ambrose and his ragtag search party.
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Story is a Bit Stupid
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Benefits with Friends
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Sex, money, religion...all topics that we’re told to avoid in polite company. But exactly the kind of conversations you should be having with your bestie, according to best friends of more than 20 years, Mae Martin (Feel Good) and Sabrina Jalees (Roast Battle). Romantic couples are often guided through the conversations they should be having before committing to each other–but what are the topics that best friends should be covering to truly get to know each other?
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This was amazing - season 2 please?!
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Sir George Pyke is quite disappointed in his son Roderick's business acumen. Roderick, unlike his old man, lacks the aggressive drive required of a business tycoon. So the elder Pyke resolves to marry him off to the sprightly Felicia, who has enough spark to manage any man and may just do him a world of good. All is going well until Bill West arrives from New York.
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Lady Wetherby had a big, soft heart, and she hated hurting her fellows. As a rule, when she had bad news to impart to any one, she administered the blow so gradually and with such mystery as to the actual facts that the victim, having passed through the various stages of imagined horrors, was genuinely relieved, when she actually came to the point, to find that all that had happened was that he had lost all his money.
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The Clicking of Cuthbert
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In his first collection of golfing stories, presided over benignly by the Oldest Member, Wodehouse extracts high comedy from the noble and mysterious game. Including the clash of literature and golf that impedes the romantic progress of Cuthbert Banks; the horror of golfing garrulity; two cases of ordeal by golf between romantic rivals of sharply varying skill; the advantages of encouraging women to take up golf; and the remarkable golfing career of American multi-millionaire Vincent Jopp, whose overwhelming confidence seems certain to make him amateur champion in his first season.
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The Adventures of Sally
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Pretty, impecunious Sally Nicholas never dreamed a fortune could prove a disadvantage, until she became an heiress and watched in bewilderment as her orderly existence went haywire. Coping first with her brother's wild theatrical ambitions, then with the defection of her fiancé and his immediate replacement by a much more appropriate but strangely unattractive suitor, Sally finds that life in New York is becoming altogether too complicated, and a trip to England only makes the whole situation worse.
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long live wodehouse
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By: P. G. Wodehouse
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A Damsel in Distress
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When Maud Marsh flings herself into George Bevan's cab in Piccadilly, he starts believing in damsels in distress. George traces his mysterious travelling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud's aunt, Lady Caroline Byng, wants Maud to marry Reddie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out.
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Solid but probably for fans only
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What listeners say about Summer Moonshine
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- NK Turoff
- 08-07-12
All the Wodehouse regulars, but lacking in charm.
Regular readers/listeners of the fiction of P.G. Wodehouse will recognize immediately that 'Summer Moonshine' is populated with all the familiar characters and situations that make his fiction so comfortably predictable. One may cavil that--as one feasts more and more heavily on the banquet of his stories and novels--the formula begins to feel, well, formulaic, but the Master's light touch and brilliantly epigrammatic prose style keep the atmosphere so frothy that it seems churlish to mention that one is once again reading the tale of Young Love torn Asunder by an imperious Aunt, and the dizzying ballet of secondary characters whose fortunes become entwined with those of the principal hero and heroine. Indeed, it is sometimes unclear that there IS a principal hero and heroine--often we are served up an undifferentiated pile of men and women all of whom find the path of love blocked by obstacles which must be overcome. Wodehouse's solutions for extricating the hapless lovers from 'the Stew' run the gamut from the sublime to the ridiculous, but I have, until now, always consumed the stories at a gulp--loving the structure, the language and the humor of the tales.
I say "until now", because--for the first time--"Summer Moonshine" has fallen far short of the mark. Whereas most of the Wodehouse stories have a guardian angel of some sort--Gallahad Threepwood, Jeeves, Lord Ickenham--to guide events and produce, when needed, the deus ex-machina necessary to tie things up nicely, "Moonshine" simply gives us an English country house full of thwarted and mis-matched lovers, and leaves them to their own devices. Waiting as they blunder around, stumbling over their own faulty assumptions and mis-understandings becomes tedious. Moreover, the book is populated with a singularly unpleasant cast of antagonists. While no-one would claim that Alaric, the Duke of Dunstable is a Good Guy, he is such a buffoon that his evil plots do not rankle. Adrian Peake and the Princess Dwarnitzchek, however, are so thoroughly unpleasant that reading of their exploits brought me no pleasure. It would not surprise me to learn that this story--like the play written by one of the characters--is a malicious roman a clef, written by Wodehouse to settle a personal vendetta against a real-life Peake/Dwarnitzchek duo.
If, like me, you are reaching the point where there aren't too many un-read Wodehouse books, then purchase "Summer Moonshine" by all means. Second-rate Wodehouse is still far better than no Wodehouse at all. If, on the other hand, you are relatively new to the Wodehouse canon, I urge you to try something else--any of the 'Jeeves', 'Blandings', 'Mulliner' or 'Ukridge' books will bring you hours of pure pleasure. Save 'Summer Moonshine" for later.
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- John
- 06-16-14
A Somewhat Un-Wodehousian Wodehouse
Of early Wodehouse novels I have observed—and I’m sure others have, too—that they show the author moving from the then-popular, sentimental yet more “real” world of human emotions and tragedies toward his signature style of persiflage, tempests in teapots and sheer physical comedy. But even after that mature style has asserted itself, we can have relapses. And I think Summer Moonshine (1937) is one of them. Perhaps it is the only one. (Perhaps not; The Coming of Bill, 1920, also stands out as an aberration in the canon.)
I don’t mean to say that the whole book is sloppily sentimental, a sort of Rosy M. Banks saturnalia. On the whole it is the usual Wodehouse fun. There is a young mutton head who can’t say no to girls, a Kensington-educated secretary who says “quate” instead of “quite”, a shilling-less baronet whose American brother-in-law insists on addressing as “your lordship”, and an irrepressible young man named Joe Vanringham who, with his endless persiflage and unsinkable good humor, strikes you—or at least me—as a sort of two-fisted, American version of Psmith. But there are also passages—and in particular one character—that we don’t run up against in any of the other later, mature works.
Her full name is Princess Heloise von und zu Dwornitzchek. And I can’t think of anyone whom I’d rather not run up against. Richard Useborne, in his Plum Sauce, a P. G. Wodehouse Companion, agrees: “The Princess, wicked stepmother and not a bit funny, is the most un-Wodehousian character in all the books.” Her stepson, Joe concurs:
“The effortless ease with which she overrode all obstacles and went complacently through life on the crest of the wave offended his sense of dramatic construction. She was so obviously the villainess of the piece that it seemed inevitable that eventually the doom must overtake her. But it never did. Whoever had started that idea that Right in the end must always triumph over Wrong had never known the Princess Dwornitzchek.
“He watched her as she sat there smoking and smiling quietly at some thought that seemed to be amusing her, and tried to analyze the murderous feelings which she had always aroused in him. She was, as he had said, undefeatable, and he came to the conclusion that it was this impregnability of hers that caused them. She had no heart and a vast amount of money, and this enabled her to face the world encased in triple brass. He had a sense of futility, as if he were a very small wave beating up against a large complacent cliff. No doubt the officials of the United States treasury Department felt the same.”
Yes, there is the little, the very little smile (and a wry smile at that) at the end. But where else in Wodehouse have we read the word “murderous” written in earnest? What other character besides Joe Vanringham has felt this frustrated about someone this appallingly real? Earlier in the book we learn that that murderous feeling took root as Joe watched the princess “killing” his father:
“Oh, I don’t mean little-known Asiatic poisons. A resourceful woman with a sensitive subject to work on can make out quite well without the help of strychnine in the soup. Her method was just to make life hell for him.”
True, Lady Constance Keeble can menace the peace of her brothers (and I defy you to find another subject as sensitive as the ninth earl). Lady Julia Fish is capable of anything from heavy-handed irony to outright rudeness when it comes to breaking up her son, Ronald, and his chorus girl fiancée Sue Brown. And Bertie’s Aunt Agatha is always ready to marry him off to some frightful female or other. But we end up laughing at all three. After all, they are routed by, in the first two cases, the adroit staff work of the Hon. Galahad Threepwood, and in the latter case by the fish-fed intellect of the best gentleman’s personal gentleman in London, Jeeves. Watching them try to make life hell for the men in their lives is fun because we know they won’t succeed. Besides, these women have a redeeming what-is-it about them. Sometimes they are even right—Lord Emsworth shouldn’t have come down with a brass paper fastener serving in place of a missing shirt stud. Lady Julia earns the grudging admiration from her brother Galley, “there are the seeds of greatness in that woman”.
But the princess is uniquely, horribly different. Unlike Mrs. Rosalinda Banks Bessemer Spottsworth, another Wodehouse female worth millions, the princess uses her wealth as a weapon. And she is what we would now call now a cougar. But what makes her truly awful is that there is no Galahad or Jeeves to slip a well-aimed stick in her spokes. Her designs are not frustrated. She “wins”.
Fittingly, her paramour Adrian Peake also reminds us uncomfortably of unpleasant, manipulative, self-centered people we have known all too well in real life.
But all this is just a long way of saying that while there are elements in this novel that diverge from the usual Wodehouse romp, Summer Moonshine is still a satisfying, reliable romp. In fact, the princess and her twerp Peake provide an interesting counterpoint to the general Wodehousian fun, making it, if anything, more piquant. It seems to stand as an alternate universe to the self-absorption and destructiveness of the princess and her slimy consort. You get the distinct feeling that neither one of them would enjoy reading or listening to the Master’s works. People who take themselves too seriously seldom do.
A final word: Jonathan Cecil is pitch-perfect on this outing. His vocal portrayal of the princess—something between a spoiled Persian cat and a roused rattlesnake—is at times a little chilling.
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10 people found this helpful
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- Carol
- 09-15-19
Perfect for times you are in a bad mood.
A light and airy comedy. The writing and narration are both very well done. This book showed me how well Wodehouse could create situations that didn’t rely on previously thought out characters like Jeeves or Bertie. I was having a frustrating weekend and this book got me out of my funk.
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3 people found this helpful
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- Bruce Gladstone
- 07-25-21
One of the best!
Brilliantly written, this hilarious outing is filled with a host of Wodehouse’s zany characters, achingly funny descriptions, and madcap moments
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- Mary
- 03-05-21
Quite enjoyable
You better keep track of the names which are part of the fun. The issues and confusions are entertaining and intertwining. It is another highly successful story by Wodehouse; and read beautifully by Jonathan Cecil.
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- Michael McHale
- 02-06-16
Wodehousian Fun
I am an unabashed Wodehouse fan and for my money Cecil reads them perfectly. He gets the mood and intonation just right. I enjoyed this story because it's a little bit of a departure from some of the more typical Wodehouse story lines. For the most part you know where you'll end up, but it's that art of the journey that is so much fun. Definitely worth a listen!
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- Elizabeth Hopkins
- 06-23-23
Madcap and delightful
Every time you think you know what’s going to happen in this novel Wodehouse makes it funnier and wilder. Lots of characters doing insane and lovable things, and some classic Wodehouse one-liners that made me laugh out loud. Cecil does a good job with totally distinct voices for each character. Just delightful.
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- Marta
- 05-18-23
Delightful and so sweet
Wodehouse fans will appreciate the characters and the unfolding of the plot. Some might complain about it being less bright, some might get triggered by the n-word featuring twice, bit ultimately the sweetness of this author and his bright prose won't disappoint.
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- Father of Ten
- 02-23-23
Delightful
I thought at first I shouldn’t be able to get on without Bertram and Jeeves, but this story is wonderful — fun and dynamic, but sincere and heartfelt as well.
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- J. Arnett
- 01-11-23
Excellent
Another great book written by a great author, and read by his best reader!
Highly recommended!
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