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Since We Fell
- A Novel
- Narrated by: Julia Whelan
- Length: 12 hrs and 1 min
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Editorial reviews
Editors Select, May 2017
I’m embarrassed to admit to being a newcomer to author Dennis Lehane. His disturbing yet thought-provoking books like Shutter Island and Mystic River are the types of stories that are right up my alley, so I jumped on the opportunity for an early listen of his new novel Since We Fell. At first, it feels like literary fiction, gradually revealing more and more about protagonist Rachel and how she came to be a happily married recluse. (Side-note - Lehane’s character development is some of the best I’ve encountered.) As he brings us to present day, the book morphs into a thriller - we already know Rachel shoots her husband...but why? I’d be remiss not to mention the performance of Julia Whelan. She perfectly evokes Rachel's roller-coaster-like internal monologue, all while maintaining an essence of stoicism. While some may feel the need for a lighthearted listen to offset the darkness of Since We Fell, I promptly downloaded Mystic River and can’t wait to press play. —Laura, Audible Editor
Publisher's summary
Since We Fell follows Rachel Childs, a former journalist who, after an on-air mental breakdown, now lives as a virtual shut-in. In all other respects, however, she enjoys an ideal life with an ideal husband. Until a chance encounter on a rainy afternoon causes that ideal life to fray. As does Rachel's marriage. As does Rachel herself. Sucked into a conspiracy thick with deception, violence, and possibly madness, Rachel must find the strength within herself to conquer unimaginable fears and mind-altering truths.
By turns heartbreaking, suspenseful, romantic, and sophisticated, Since We Fell is a novel of profound psychological insight and tension. It is Dennis Lehane at his very best.
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- By: Kristen Lepionka
- Narrated by: Allyson Ryan
- Length: 10 hrs and 25 mins
- Unabridged
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Nobody knows what happened to Sarah Cook. The beautiful blonde teenager disappeared 15 years ago, the same night her parents were brutally murdered in their suburban Ohio home. Her boyfriend, Brad Stockton - black and from the wrong side of the tracks - was convicted of the murders and is now on death row. Though he's maintained his innocence all along, the clock is running out. His execution is only weeks away when his devoted sister insists she spied Sarah at an area gas station.
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Alcoholic PI
- By Karwyn on 05-17-18
By: Kristen Lepionka
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The Last Dead Girl
- By: Harry Dolan
- Narrated by: Michael Kramer
- Length: 12 hrs and 54 mins
- Unabridged
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On a rainy night in April, a chance encounter on a lonely road draws David into a romance with Jana Fletcher, a beautiful young law student. Jana is an enigma: living in a run-down apartment and sporting a bruise on her cheek that she refuses to explain. David would like to know her secrets, but he lets them lie-until it's too late. When Jana is brutally murdered, the police consider David a prime suspect.
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A great, dark read, appropriate reader too.
- By Karen on 05-01-14
By: Harry Dolan
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Too Bright to Hear Too Loud to See
- By: Juliann Garey
- Narrated by: Dan Butler
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In her tour-de-force first novel, Juliann Garey takes us inside the restless mind, ravaged heart, and anguished soul of Greyson Todd, a successful Hollywood studio executive who leaves his wife and young daughter and for a decade travels the world giving free reign to the bipolar disorder he's been forced to keep hidden for almost 20 years.
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Psychosis or Syphilis?
- By Vira on 04-02-13
By: Juliann Garey
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Double Feature
- A Novel
- By: Owen King
- Narrated by: Holter Graham
- Length: 16 hrs and 12 mins
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Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything - regret, resentment, ambition, dignity, moving pictures, the dead - and taking it again from the top. Combining propulsive storytelling and mordant wit against the backdrop of indie filmmaking, Double Feature brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.
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Worst book ever! Well maybe.
- By Randall on 08-11-17
By: Owen King
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The Man from Primrose Lane
- By: James Renner
- Narrated by: L. J. Ganser
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A mind-bending, genre-twisting debut novel. In West Akron, there lived a reclusive elderly man who always wore mittens, even in July. He had no friends and no family; all over town, he was known only as The the Man from Primrose Lane. And on a summer day in 2008, someone murdered him.
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Good read, despite, not because of sci fi twist
- By Lulu W. on 07-18-12
By: James Renner
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The Snow Garden
- By: Christopher Rice
- Narrated by: James Daniels
- Length: 12 hrs and 21 mins
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Atherton University, freshman year. Kathryn, Randall, and Jesse come from different worlds, but find themselves drawn together in unexpected ways. For each of them, college promises a bright future and a way to disconnect from a dark, haunted past. But as winter sets in, their secret histories threaten to disrupt the layers of deceit that protect their fragile new lives.
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Murder, Mystery and Mayhem at it's best!
- By Tammy M on 11-30-14
By: Christopher Rice
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Damage Control
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- By: Robert Dugoni
- Narrated by: Christopher Lane
- Length: 10 hrs and 22 mins
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A rising star at her prestigious Seattle law firm, Dana Hill knows all about stress. She pours herself into her work and family with all the energy she has. But her carefully balanced life is about to be turned upside down. First a frightening medical diagnosis forces her to reassess her roles as a lawyer, mother, and wife to a man she suddenly no longer trusts. Then her life is rocked further by the shocking and brutal murder of her twin brother.
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Better than average mystery/thriller
- By T. McCloskey on 10-08-15
By: Robert Dugoni
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Pacific Beat
- By: T. Jefferson Parker
- Narrated by: David Colacci
- Length: 14 hrs and 32 mins
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Ex-cop Jim Weir thought he'd seen it all during his years on the force. That is until he saw the body of his sister Annie, brutally used by a monster in human form, then carelessly discarded. He'd never seen such grief ravage the face of his friend and brother-in-law Ray Cruz, a good cop on the Newport Beach Police Department. When Weir learns that the only witness swore the killer made his escape in a Newport Beach squad car, his disbelief turns to confusion and outrage.
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Bad, bad, bad...
- By Robert E. Orlando on 11-19-14
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Strong Motion
- By: Jonathan Franzen
- Narrated by: Scott Aiello
- Length: 20 hrs and 51 mins
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Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.
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Compelling Story, Ridiculous Narrator
- By DianeReads on 02-28-16
By: Jonathan Franzen
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Deal Breaker
- The First Myron Bolitar Novel
- By: Harlan Coben
- Narrated by: Jonathan Marosz
- Length: 8 hrs and 42 mins
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Sports agent Myron Bolitar is poised on the edge of the big-time. So is Christian Steele, a rookie quarterback and Myron's prized client. But when Christian gets a phone call from a former girlfriend, a woman who everyone, including the police, believes is dead, the deal starts to go sour. Suddenly Myron is plunged into a baffling mystery of sex and blackmail.
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Deal Breaker
- By Lisa on 07-02-08
By: Harlan Coben
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What listeners say about Since We Fell
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Ann
- 05-17-17
Wait ....
The first half of Dennis Lehane's latest novel, Since We Fell, is a meandering but engaging tale of a young female journalist, her relationships, and her callous, overbearing mother. Unfortunately, the second half of the audiobook disintegrates into an unoriginal romance story (a veiled and failed take-off of the sarcastic but in-love Charlie and Rose in the African Queen) between the journalist and her husband who is not who he seems (and his real self is unimpressive). The two characters are often implausible and always one-dimensional, never allowing the reader to become emotionally invested in in either the couple or the story. The hit men and police are embarrassingly clichéd, quite surprising given Lehane's superior writing talent. The ending was a miserable failure. The narrator, Julia Whelan, does a credible job. Wait until the audiobook goes on sale if you must get this book.
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45 people found this helpful
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- Na
- 05-14-17
Compelling but far fetched
This was a compulsive listen, and I don't regret spending a credit on it. But so many elements of the story turn out to be dead ends, and ultimately the story is very far fetched.
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41 people found this helpful
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- Taryn
- 12-06-17
slow moving, not up to Lehane's work
I had to return this one after wasting 4 hrs listening to it. It was draggy and boring. I am a Lehane fan and as much as I tried to listen longer I just couldn't force myself to do it. The characters were unlikable and the story was full of psychobabble - as if Lehane took a psych course and decided to write a novel based on it. I was very disappointed.
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36 people found this helpful
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- Margaret
- 05-22-17
A rip-snorting blast!
Dennis Lehane goes all literary on us! But don't worry - he does bring a little bit of his classic noir (a feminine version of noir, at that) home for us in the last third of the book. The reviews I've read don't exactly contain spoilers, but it's better not to address the second half of the book to prevent the full-on ramp up of suspense that grabs you there and pulses through till the end.
Lehane does a decent job with a female protagonist, although his portrait of the woman's mother is grossly one-dimensional amid a sea of better-drawn male characters. And, sir, neither Mount Holyoke nor Smith Colleges are "girls' schools." They are womens' colleges. Duh.
This book is a rip-snorting blast right till the end. Highly recommend - especially if Lehane's more noir stuff set in rain-soaked, scruffy Boston neighborhoods are not your cup of beer. This one's faster and brighter.
The narrator is the same woman from Lauren Groff's Fates and Furies - Julia Whelan, and she is really, really good.
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- Joe Kraus
- 12-23-17
Impressive skill, but awfully contrived
OK, bad news out of the way to start:
First, this is so contrived in so many places that, as well written as it generally is, it won’t survive your putting too much weight on it. [SPOILERS] Why would a con-man go to incredibly elaborate lengths to persuade his wife he’s another man if, as he repeatedly claims, he’s doing so to help cure her of her agoraphobia and panic attacks? Why, if he’s planning an intricate international scam in order to acquire the wealth he dreamed of as a working-class kid, does he have the resources to purchase and outfit multiple safe houses? And why, if he’s trying to earn her eventual trust, does he stage an event in which she believes she’s murdered him?
Why, I can’t help asking now that it’s over, didn’t he just go into it over a nice bottle of wine?
Second, tough-guy Lehane has gone soft on us. The guy behind the brilliant Mystic River and the exemplary noir short story collection Coronado has come to believe in love. [SPOILER] Sure, he has a young woman murdered in front of her newborn, but the point is that even people who’ve screwed one another over can share the sort of love that augurs a happy-ever-after and a new family all their own.
I can’t say such a softening of one of our best pros is all that surprising – the disappointing Live By Night (made into the Ben Affleck movie) showed he was willing to sell out at the right price – but for much of this one I’d hoped we’d see a return to form of the earlier novels.
That’s two major strikes against this but, that said, it’s otherwise as terrific as I can imagine. Lehane is still such a pro, so capable of drawing compelling characters and of exploring a noir universe, that it works in spite of its foundational flaws.
One character, who’s holding a gun to our protagonist Rachel’s head, asks her, “Do you want to be good, or do you want to live?” There may be subtler and more satisfying distillations of the noir premise, but there aren’t any more direct. Everything in life is tarnished; any time we make it through the day, we diminish ourselves through the compromises we make.
Rachel’s afflictions, her inability to deal with strangers, are a consequence of the evils she’s seen as a journalist and as a woman raised by a possessive, overbearing mother. She’s been bruised at every turn, and she determines she doesn’t want to bruise anyone else. She doesn’t even want to be with Brian, in large part because she doesn’t seem to believe she’s worthy of him. (In turn, he seems drawn to her because she represents an unsullied decency that’s beyond him. He’s drawn far less well than she is, though, and since Lehane gives him exceptional chameleon powers, it’s hard to get a real read on him.)
The different sections of this one don’t line up all that well, but Lehane makes each one sing. The first section is an almost stand-alone story about Rachel trying to identify her father. It’s beautifully done, worthy of Lehane’s deep talent, and it succeeds in making historiography – the search for history as opposed to history itself – compelling. The second, when she falls in love with Brian, has a nice resonance as well, suggesting an intriguing version on the old “Gaslight” trope where a husband tries slowly to convince his wife she’s insane.
The next parts of the novel move well – I really enjoyed the tension – but they ultimately strain credulity. They work only as long as Lehane distracts us from their silliness, which he is talented enough to do until, with the book over, not even he can keep us from looking back and asking, “wha?”
I’ve touted Lehane as the exemplar of contemporary noir, the closest thing to a supplanter James Ellroy has known. Well, Ellroy may have slipped a little (he’s recycling his own excellent work, which means something like Perfidia still stands above most of what’s out there), but Lehane has slipped farther. I’m likely to keep reading him (though not the Live By Night sequels – avoid those) but without quite the great expectations he earned with his early work.
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- alicia
- 01-16-19
Dennis Lehane?
If this were my first Lehane experience, I probably wouldn’t read another. I have rabidly devoured everything he has written and naturally some were better than others, but they were all engaging and most were pageturners. I was fully one third of the way into this before I realized it was going anywhere. Two thirds of the way I gave up and actually returned it. I needed a Lehane fix. Didn’t get it.
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- Lisa Wilson
- 05-11-17
Excellent book!
Perfect narrator for this novel. Dennis Lehane never disappoints and this one will keep you interested til the end. A little slow on the start up but so worth it once the action starts!
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- W Perry Hall
- 06-02-17
My life has been such misery and pain
I decided to read this because I enjoyed most of Lehane's gritty, intelligent Kenzie/Gennaro series set in Boston (e.g., Gone, Baby, Gone). This was his first non-period novel in a while. I wasn't thrilled with the one period novel I read so I was intrigued when he returned to the present.
This is a suspense/psychological thriller that works for the most part. I was puzzled by some disconnects though (one thread dropped off without explanation). Also, while I thought the female protagonist was very well-developed, I wish he'd gone much deeper because she may be his best protagonist ever, certainly for the first 40% of the novel.
I won't provide a description of the characters or plot because it might ruin the story. In fact I'd suggest you not delve too far into the reviews as I did. The less you know, the better the story. One review gave me a one word description of the plot but didn't disclose the ending. Yet, even mentioning this clue was more than enough to spur my mind to figuring out the next twist, which I did with decent success.
If you've already read reviews, go ahead and look at my one sentence general description of the plot:
Hitchcockian.
This was all I needed to know to have me guessing/knowing all through the novel of what was about to happen.
A short rant about reviewers complaining the novel is not worthy of reading or its value is lessened because the plot is like that in a movie made director X or in such and such niche of a genre:
To the supercilious literati tendency who look down upon a novel because it reminds her/him of another novel or a film, Please, gimme a break!.
There is nothing wholly new in this world. I won't ramble on that nearly all art is taken/stolen, at least in some part, from something done by someone else, who stole/took, at least in some part, something another did before that, and so on. Since the time of Solomon, as he pronounced: "There is nothing new under the sun." Ecclesiastes 1:9.
Instead, you cognoscenti who would not deign to listen to me, hear ye the whispers of the ghosts of artists who you must surely respect:
Picasso: " Art is theft ."
Mark Twain: " It is better to take what does not belong to you than to let it lie around neglected. "
Salvado Dali: " Those who do not want to imitate anything, produce nothing. "
David Bowie: " The only art I'll ever study is stuff that I can steal from ."
I agree with Jonathan Lethem that when one thinks something is truly "original," nine out of ten times one just doesn't know the references or the original sources involved.
I'd have to say that T.S. Eliot best described "originality" in a way that accounted for the fact that nothing is wholly new:
"Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poets welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn."
By this definition, even if one thought Dennis Lehane borrowed from a certain director's plot twists and/or endings in writing this novel, Lehane still "weld[ed] this... into a whole of feeling which is unique [and] utterly different."
{End of Rant} Thank you for your indulgences.
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- antoine
- 06-24-17
Things are not what they seem...
The plot is articulated in two/three parts . We start with the main character’s (Rachel) childhood years with a dysfunctional and abusive mother, we continue with Rachel's search of her father along with the rapid rise and fall of her career in journalism and we end (but this is by far the longest part) with Rachel meeting and falling in love with a stranger …From here onwards the thriller starts. We enter into a Hitchcock-like atmosphere where is difficult for Rachel (and the reader) to understand what is true and what is false, what has truly happened and what has been imagined. This type of stories need to be well tied-up and with a solid logic that gives credibility to the plot (the more sounds credible, the more the reader is engaged). Lehane is letting us down as- at times- and story and characters become inconsistent and the reader feels often that is taken for a walk into an unbelievable territory.
I do love Lehane, but am very mixed on this book : at times truly suspenseful and engaging , at times frustrating and too far-fetched.
Julia Whelan does an exceptional job to keep the reader hocked and to make him forget the credibility gap.
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- RueRue
- 12-21-17
Kind of a mess
If it didn't name Dennis Lehane as the author, I would not have thought he wrote this. It's nothing like his other books, and that's not meant as a compliment. The story was all over he place, and although there seemed to be an attempt to bring it all together in the final paragraphs, it didn't work for me. Implausible plot, unlikeable characters....I hope his next book is better. This one was a bit of a mess.
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