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Silent in the Grave
- Narrated by: Ellen Archer
- Length: 12 hrs and 54 mins
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Publisher's summary
These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.
Prepared to accept that Edward's death was due to a long-standing physical infirmity, Julia is outraged when Brisbane visits and suggests that Sir Edward has been murdered. It is a reaction she comes to regret when she discovers the damning paper for herself, and realizes the truth.
Determined to bring her husband's murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.
All rights reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Books S.A. All characters in this book are fictitious. Any resemblance to actual persons, living or dead, is purely coincidental.
Critic reviews
"Riveting." (Bookreporter.com)
"Fans of British historical thrillers will welcome Raybourn's perfectly executed debut." (Publishers Weekly)
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- By bebe on 07-07-20
By: Elizabeth Boyle
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The Deadly Hours
- By: Susanna Kearsley, C. S. Harris
- Narrated by: Anne Flosnik
- Length: 10 hrs and 55 mins
- Unabridged
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Overall
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From Italy in 1733 to Edinburgh in 1831 to a series of chilling murders in London in 1870 and a lethal game of revenge decades later, a watch touches lives with misfortune - until it comes into the hands of one young woman who might be able to stop it for good. This outstanding collaboration between four outstanding novelists follows characters who are irrevocably linked by fate, each one playing a key role in breaking the curse once and for all.
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Narration was bad, just bad
- By Abby on 11-16-20
By: Susanna Kearsley, and others
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That Scandalous Evening
- The Governess Brides, Book 1
- By: Christina Dodd
- Narrated by: Karen Cass
- Length: 8 hrs and 48 mins
- Unabridged
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Overall
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Story
New York Times bestselling author Christina Dodd spins the captivating tale of a nobleman whose path crosses again with the one woman he absolutely cannot resist....
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Heroine's a pathetic doormat
- By karen on 03-26-21
By: Christina Dodd
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Lady Susan
- By: Jane Austen
- Narrated by: Susan McCarthy, Laurellee Westaway, Melissa Leventon, and others
- Length: 2 hrs and 56 mins
- Unabridged
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Overall
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Performance
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Story
Written in the then fashionable style form of letters between the characters in the book, Jane Austen tells the story of the beautiful widow Lady Susan. Lady Susan has an eye toward re-marrying well, and marrying off her teenage daughter. To achieve her objectives, she spins a tale of Victorian humor and manipulation. In the end, she outsmarts even herself. Jane Austen's earliest known serious work, Lady Susan is a short, epistolary novel that portrays a woman bent on the exercise of her own powerful mind and personality to the point of social self-destruction.
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Beware of the Introduction
- By Vincent on 08-08-14
By: Jane Austen
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One Night of Passion
- The Danvers, Book 1
- By: Elizabeth Boyle
- Narrated by: Susan Duerden
- Length: 10 hrs and 10 mins
- Unabridged
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Overall
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Performance
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Story
Georgiana Escott has one night to find the perfect man to ruin her and leave her with a tattered reputation so she can avoid an arranged marriage to an aging, despicable roue. With a misstep, she tumbles into the arms of the disgraced and dashing Lord Danvers. But Georgie doesn't know that the lover she has enticed to follow her into the night and the stranger she holds responsible for her misfortunes are in the same....
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Same story as the rest
- By MsDaneen on 03-17-21
By: Elizabeth Boyle
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The Scoundrel's Daughter
- Brides of Bellaire Gardens Series, Book 1
- By: Anne Gracie
- Narrated by: Christine Rendel
- Length: 14 hrs and 28 mins
- Unabridged
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Overall
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Performance
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Story
Alice, Lady Charlton, is finally free of her dominating husband, but on the verge of her new life, she is trapped when a blackmailer threatens to publish letters that could ruin her. To protect the secrets of her past Alice must find a lord for his daughter, Lucy, to marry. Alice reluctantly agrees to find the girl a noble husband but when Lucy arrives, she's difficult and uncooperative and has no interest in her father's scheme. A lord, she says, will only look down his nose at her-and she's having none of that! Desperate, Alice enlists the aid of her handsome young nephew.
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Stopped listening @ Ch14 bc of coercive "romance"
- By potsherds on 01-20-22
By: Anne Gracie
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Marry in Haste
- Marriage of Convenience Series, Book 1
- By: Anne Gracie
- Narrated by: Charlotte Anne Dore
- Length: 12 hrs and 23 mins
- Unabridged
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Overall
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Performance
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Story
Major Calborne Rutherford returns to England on the trail of an assassin, only to find he's become Lord Ashendon, with the responsibility for vast estates and dependent relatives. Cal can command the toughest of men, but his wild half-sisters are quite another matter. They might just be his undoing. When he discovers that Miss Emmaline Westwood, the girls' former teacher, guides them with ease, Cal offers her a marriage of convenience.
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Ruined by the robotic narrator.
- By Cate F. on 05-29-17
By: Anne Gracie
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Nicholas Nickleby
- By: Charles Dickens
- Narrated by: Simon Vance
- Length: 31 hrs and 20 mins
- Unabridged
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Overall
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Performance
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Story
The most gorgeously theatrical of all Dickens's novels, Nicholas Nickleby follows the delightful adventures of a hearty young hero in 19th-century England. Nicholas, a gentleman's son fallen upon hard times, must set out to make his way in the world. His journey is accompanied by some of the most swaggering scoundrels and unforgettable eccentrics in Dickens's pantheon.
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Amazing
- By Terie on 07-12-07
By: Charles Dickens
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For the Deepest Love
- A Pride & Prejudice Variation
- By: Mary Anne Mushatt
- Narrated by: Sarah Groarke
- Length: 7 hrs and 47 mins
- Unabridged
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Overall
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Performance
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Story
After thinking long and hard, I have come to the conclusion that - although it may not be the kind of love my sister and I once had in mind - marrying Mr Darcy would be marrying for a love of the deepest kind. Recovering from their parents' deaths, Elizabeth and Jane Bennet have held their family together, leaning on the support of their uncle, Edward Gardiner, to help them survive. Thus, when Mr. Gardiner is threatened with scandal and ruin, Elizabeth vows to help him.
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Narration needs to be re-recorded!
- By That's so fetch on 10-15-21
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A Crown for a Lady
- By: Tanya Anne Crosby
- Narrated by: James Gillies
- Length: 6 hrs and 24 mins
- Unabridged
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Overall
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Performance
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Story
A deception of royal proportions had thrust Ian MacEwen into the very center of the ton's marriage mart, forcing him to choose a bride who would be queen. He'd wanted only to uncover answers that had denied him all his life. Instead, he found Claire Wentworth, a fearless woman with grass-green eyes who needed his protection - and his love - whether she admitted it or not!
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Loved it
- By Jacy on 10-14-20
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Any Old Diamonds
- By: KJ Charles
- Narrated by: Cornell Collins
- Length: 8 hrs and 5 mins
- Unabridged
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Overall
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Performance
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Story
Lord Alexander Pyne-ffoulkes, the younger son of the Duke of Ilvar, holds a bitter grudge against his wealthy father. The Duke intends to give his Duchess a priceless diamond parure on their wedding anniversary - so Alec hires a pair of jewel thieves to steal it. The Duke's remote castle is a difficult target, and Alec needs a way to get the thieves in. Soldier-turned-criminal Jerry Crozier has the answer: He'll pose as a Society gentleman and become Alec's new best friend.
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Emotional whiplash
- By Cranky Reader on 10-16-19
By: KJ Charles
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Lackluster narative
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London, 1861. Samantha Kingston has lived under the control of her overbearing uncle since the death of her parents six years ago. Trapped by the conventions of her gender and social class, she is desperate to find a way out. But when her aunt and uncle are murdered, the freedom she sought seems even further out of reach. A suspect in the crime, she finds herself on the run, unsure whom to trust, lost in the underworld she had only ever read about in the pages of a Dickens novel.
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Really good addition to this genre
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Give this a chance
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London 1815. Newly widowed Lily Adler is returning to a society that frowns on independent women. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden. Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables - until Lord Walter bribes the investigating magistrate to drop the case. Stunned, Lily realizes she's the only one with the key to catching the killer.
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Lady Katherine would rather chase clues than suitors. Her reputation as a matchmaker could give her the cover she needs to follow in her detective father's footsteps. If she catches the Pink Ribbon Killer before he strikes again, she'll win her dowry and her independence in the process. One look through the exclusive Northbrooke estate house party doubles her suspect list. With the help of her trusty maid and her precocious pug, Katherine risks it all to unmask the killer. But is winning her freedom worth putting another debutante in mortal danger?
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Tucked away among Devon's rolling green hills, Mallowan Hall combines the best of English tradition with the modern conveniences of 1930. Housekeeper Phyllida Bright, as efficient as she is personable, manages the large household with an iron fist in her very elegant glove. In one respect, however, Mallowan Hall stands far apart from other picturesque country houses. The manor is home to archaeologist Max Mallowan and his famous wife, Agatha Christie.
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An Appealing First Book of a new series
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December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager.
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Good value. Good mysteries
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Death at Bishop's Keep
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Kate Ardleigh is everything the Victorian English gentlewoman is not - outspoken, free-thinking, American...and a writer of the frowned upon penny dreadfuls. Soon after her arrival in Essex, England, a body is unearthed in a nearby archeological dig - and Kate has the chance to not only research her latest story but to begin her first case with amateur detective Sir Charles Sheridan.
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Cozy
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Deadly Scandal
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Olivia Denis is a content young wife with a carefree life in late 1930s London. Then her world is shattered with the violent death of her husband, Reggie. The police want to call it a suicide and close the case, but Olivia knows Reggie couldn't possibly have fired the fatal shot. Further mysteries surface surrounding her husband's death. Did the trustworthy Foreign Office employee betray government secrets? Was his murder linked to the death of a German embassy clerk the same night? And who searched their flat?
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Insipid Heroine
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What listeners say about Silent in the Grave
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- 9S
- 07-04-09
Happily surprised
In the 12 years I have been an Audible member I have only purchased two or three romance novels. I can't recall what prompted me to use a credit for SILENT IN THE GRAVE, but I am glad I did. The great period detail shows Raybourne did her research. Be sure to listen closely because the author sprinkles quite a few clues throught this clever story. The narration by Ellen Archer is spot on, not sure why some reviewers disliked her.
If you want to listen to a riveting mystery laced with humor, romance and cleverness then SILENT IN THE GRAVE is a great choice.
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79 people found this helpful
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Overall
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Performance
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Story
- Nancy J
- 05-14-13
Adequate story, but hard to listen to.
I bought this book as a mystery, not as a romance, so I was happy to have the story pretty light on the romance side -- more a tantalizingly slow build up of romantic tension. The period detail was good, and the plot was interesting, although the author did sometimes telegraph what was going to happen next. I liked the characters, minor ones as well as major. I had a little trouble getting into it at the beginning, but I think that was because it started out sounding a lot like many a Victorian or Regency romance. Thank god it never developed into the bodice-ripper I was dreading. All in all, it turned out to be a satisfying story with an interesting ending.
My problem with this book was the narrator. At first, the voice itself bothered me because of a rather saccharine tone, but I got used to that and it fitted the story fairly well. This narrator did a fairly good job with different voices, but different accents did not come out well. One of the servants was supposed to be Scottish, but the accent used sounded so artificial, with words really stretched out of shape, that it was hard to listen to. Another character, said to be Italian, sounded more like a Scotsman. Also, in the course of delivering lines of dialogue being spoken by the upperclass British characters, every once in a while something slipped and a word or two came out not in the right accent because the pronunciation of the vowels had shifted.
But finally, the part of the performance that drove me wild and greatly detracted from my enjoyment of the story was the mispronunciations. It seems obvious to me that when a reader prepares to record an audio book, one of the obligations on that reader is to make sure that he or she knows how to pronounce every word in the text. This reader does not seem to have done that at all. I will grant you that I am not British, but I have listened to and watched a large number of performances of British books, movies and plays, and I believe that I have an ear for the pronunciation of most words, even when spoken by the English. For instance, I know that they do not pronounce "Viscount" as "Viss-count". And I suspect they do not pronounce "bibelot" as "bible-ott." There were many other similar examples in the recording of this book. The fact that the reader did not know how to pronounce the words was her failing. And the fact that the editor, assuming there was one, did not catch the mispronunciations was the failing of the company producing the book.
I would listen to another Lady Julia book, but not if it is read by the same narrator.
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64 people found this helpful
-
Overall
- A
- 02-14-07
Mystery-heavy, Romance-lite, Narrator ok
If you buy this book looking for a romance you will be disappointed, as the *intimation* of a romance is there, but in the end, the actual romance is holding out for the sequel. (So don't be mislead of the Harlequin title -- this isn't sugary-sweet over-the-top romance book, which in my case was a concern, although ever since Poison Study, I stopped judging a Harlequin book by its publisher :-)
The mystery/plot is fine, although there is a little too much deus ex machina towards the end, but not enough to ruin the book for me. The characters don't always play to societal norms, but it isn't as if this book is trying to pass as accurate historical fiction, so it is forgivable. There are a number of interesting side characters, including pets. Overall fairly well-written gothic/Victorian mystery mix -- good, but not perfect.
As for the narrator, I don't think she is British. It wasn't that the accents were off completely, just occasionally, which to my ear was slightly grating, and at times the "class" of the accent didn't match the "class" of the character. I expect most North American listeners won't be bothered, but British listeners might cringe at times.
From me, the romance gets a 2/5 (although the potential for a really steamy 5/5 exists for the next book). The narrator ranges from 2.5/5 to 5/5. The story gets a 3.5/5.
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- Jackie
- 10-25-16
Narration Ruins It
Would you recommend this audiobook to a friend? If so, why?
No. The book itself, yes, but not the audiobook. I don't write reviews often, but the accents were so god-awful to listen to in this one, that I wanted to warn others. I try to keep an open mind about narrators, and I often read really cruel condemnations of narration that I find to be just fine. This narrator has a pleasant enough voice and even does a pretty good job at creating different-sounding voices for different characters, but her accents are SOOOO terrible. I had to finish the book in short installments because I kept getting so frustrated with it. I will never understand *WHY* they hire people with American accents to do books where the vast majority of the characters are British. But it would have been better if she had just stuck with her own natural accent. It almost makes my teeth hurt to listen to, there are so many mistakes:
-- "viscount" should be pronounced "VY count" not "VIZZ count"
-- words like "pale" should still have something close to an "ay" sound, not be pronounced like "pell"
-- "park" does not have an American "r" in the middle
-- she can't get the "a" vowels right at all in words like "past"; it should be more like "ah"
-- way overdoing the pseudo-upper class vowel in "hear" so that it's fully two syllables like "hee yah" or "appear" like "uh PEE yah." ugh!
-- "privacy" should be "PRIV uh cee" not "PRY vah cee"; "progress" should be "PRO gress" not "PRAW gress"And on and on and on.
Who would you have cast as narrator instead of Ellen Archer?
Barbara Rosenblat. Always and forever. Here's a test for publishers:
Publisher asks: We're thinking about hiring a narrator with a natural American accent to narrate a story with entirely British characters. Should we do it?
Test: Is that person Barbara Rosenblat?
If so, proceed.
If not, HELL NO!
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Overall
- Sara
- 02-12-08
Decent Story, Annoying Narration
I almost gave up a few times during the course of listening to this book. Although the plot moves along nicely and the charater development is good, Ellen Archer's narration is weird and irritating. She inserts pauses between words for no apparent reason, giving the story...an...odd...halting...quality. I will read the second in the series myself rather than listen to her again.
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Overall
- Charlene
- 02-21-10
Not a bad historical mystery
I'm not a big romance reader, but I love a good mystery. I like historical fiction well enough, too. This was a good combination of mystery, historical fiction and chick lit. It was not full of ooshy-gooshy romance (a relief), nor was it full of bodice ripping passion. It was, however, a pretty good mystery and the author did her research for the historical component. The narrator does some pretty terrible accents, though. Everyone who isn't English sounds like an English person doing a caricature. Also, she makes some pretty glaring mispronunciations.
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Overall
- S. Lev-Ami
- 03-14-09
Neither Your Standard Mystery or Romance
Deanna Raybourn has created memorable characters here in Lady Julia Grey, and Nicholas Brisbane. The former is an aristocratic lady with a charmingly eccentric family, and the latter is handsome, dark, exotic -- but Raybourn avoids the traps that could turn him into a Sherlock Holmes clone. Grand fun.
I gave only 4 stars because the reader is only moderately adequate to the task. At times she sounds a bit strangled, which I put down to RP being not her native English accent; and many of the characters sound rather alike, the men particularly. This definitely reduces the listening pleasure, but not so badly that I don't recommend the book.
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Overall
- Elaine
- 01-26-07
Great....
This book was excellent. I have ecclectic taste in romance novels and this fit right in with my taste. I like romance novels from Nora Roberts, Jayne Ann Krentz/Amanda Quick, Elizabeth Peters, J.D. Robb, and Lisa Kleypas; very different writing and genre styles. This book was a cross between Elizabeth Peters (historical, suspense) and Amanda Quick (Historical Romance). The romance is just starting in this book though and I cannot wait until her next book to see what happens...
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- Amazon Customer
- 03-25-07
Pretty good book, bad narrator
This is a pretty good historical suspese/romance with apparently fairly accurate depiction of life in the Victorian age. Unfortunately, the brightness of the story is dimmed by the narrator. Clearly not British, it's hard not to notice the lapses into American and/or the stilted supposed British accent - sometimes, it works, sometimes, it definitely doesn't. Also, the narrator has a tendency to read. In a very. Staccato. Way. which is infuriating and just about murdered my enjoyment of the book.
Good enough that I'll keep an eye out for the sequeal, but only if it's read by someone else.
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Overall
- Liz
- 04-18-07
Definitely Harlequin
The heroine is a vapid, bored, not very bright rich girl. The reader uses the same cadence in every sentence. I don't know how the book ends because I didn't care enough about the characters to find out.
I found the book because it was linked to "books like this" when I read "The Thirteenth Tale" and "Mistress of the Art of Death" Both those books and narrators are EXCELLENT and I'm sure they are embarrassed to be linked to this one.
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