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I fell in love with the fiction of Tim Gautreaux about 20 years ago when I read “Sorry Blood” in STORY magazine. This collection is just great. The new stuff is superb. As for the old stuff: “The Piano Tuner” is one of the best stories I’ve ever read. I don’t know if it ever made it into a Best American Short Stories edition. If not, it should have.
Gautreaux’s Fiction has all the elements of writing craft that make good fiction, but one thing that distinguishes his fiction is the essential goodness of his characters and the positive outcomes of his plots.