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In this coming-of-age story, a flu pandemic has killed off most of the population, including Cole Vining's secular, liberal parents. Cole finds himself moved from the state-run orphanage to Salvation City, where the residents await the Rapture which they are certain will soon come. His new foster parents the local pastor and his wife introduce Cole to ideas that he knows his parents would never have approved of. Ideologies collide as Cole struggles to make sense of conflicting world views. Equally difficult is his effort at sorting out his memories and perceptions of his parents.
Audie Award-winning narrator Stephen Hoye brings his theatrical training to bear in his performance of Salvation City. His talent shines in the character of Pastor Wyatt, the evangelical preacher who takes Cole in. Hoye’s portrayal of Wyatt is warm, wise, unassuming, and utterly convincing. By contrast, the character of teenaged Cole is a little rough in Hoye’s hands he does not sound comfortable with some of Nunez’s invented slang, but since most of the story happens in Cole’s head this is easily forgiven.
While often referred to as a post-apocalyptic novel, it really is only so in the broadest sense the apocalypse (the flu pandemic) happens only in memory, and Salvation City is anything but the devastated wasteland we come to expect from a book that has such a label applied. This is a look at a society still intact but deeply changed. Those looking for action and peril in a scorched urban setting should look elsewhere; those looking for a thoughtful look at nature, nurture, and how each shapes us should find this a satisfying listen. Christie Yant
Salvation City is a story of love, betrayal, and forgiveness. It is about spiritual and moral growth, and the consolation of art. It is about belief - belief in God and belief in self. As others around him grow increasingly fixated on the hope of salvation and a new life to come through an imminent rapture, Cole imagines a different future, one in which his own dreams of happiness and heroism begin to seem within reach.
"Adept at matching psychological intricacy with edge-of-your-seat plots…Nunez brilliantly contrasts epic social failure and tragedy with the unfurling of one promising life, reminding us that even in the worst of times, we seek coherence, discovery, and connection." (Booklist)
"Sigrid Nunez has long been one of my favorite authors because she writes with the deepest intelligence, the truest heart and the most surprising sense of humor. Salvation City is a tale of an American near-apocalypse that brings out the best of all these qualities. It reads beautifully, at times joyously, and it makes one reconsider the ordering of our world." (Gary Shteyngart, author of Super Sad True Love Story)
"The great success of Nunez's book is that the end of the world is filtered through Cole's imperfect perspective, so that the collapse of society is no more devastating than first love, and deeply felt conflict rages as a young man tries to find something worth preserving in a place determined to obliterate the past." (Publishers Weekly)
Customer ReviewsMost Helpful
By Root VanDorn on 10-20-10
Great Beginning, No Ending
So this book starts out like many others, character building with flashbacks to past events, all about the protagonist, blah, blah blah, then usually once you get all that established, you bring in the antagonist and the adventure begins,...not with this go-nowhere tale. No antagonist, no adventure, not even many peaks in the story at all. Just when he gets ready to walk out the door, the story ends. If this author doesn't write a sequel, this book isn't worth reading.