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Publisher's Summary

The Buckmaster Gallery is staging another Derwatt exhibition, but now an American collector claims that the expensive masterpiece he bought three years ago is a fake. It is, of course, and he wants to talk to Derwatt, but Derwatt, inconveniently, is dead. Ripley needs the perfect solution to keep his role in the fraud a secret and his reputation clean, but not everyone's nerves are as steady as his. Especially when it comes to murder.
©1970 Patricia Highsmith. 1993 by Diogenes Verlag AG, Zurich (P)2012 Audible, Inc.
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Customer Reviews

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By Darwin8u on 12-17-12

When gods made Highsmith, they broke the plates.

While I don't believe 'Ripley Under Ground' is quite on the same level as 'The Talented Mr Ripley' it is still amazing to think about on how many levels Highsmith is writing. This novel reminds me a lot of Peter Carey's novel 'My Life as a Fake'.

Both novels explore ideas of art, authenticity, fakery, artistic isolation and basic counterfeits of all forms. What happens when the poseur becomes a greater poet/painter than the original? How do we measure art? How thin is the line between truth and fiction?

Anyway, Highsmith deserves to be recognized not just as a hard-boiled crime writer, but as a literary/genre example of Gresham's law. When the gods of fiction made Highsmith, they broke and buried the plates.

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17 of 19 people found this review helpful


By Kelin on 02-04-12

am I crazy?

Why do I like Tom Ripley? I find myself rooting for this strange murderer. I think the gift of this series is it gives us a chance to look at our own morals and belief systems. And it's so intriguing to try to figure out his. Great reader. I am all for not having endings wrapped up neatly but this ending still, this book feels like it stopped in the middle of a sentance. So much fun though - I look forward to the next one

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5 of 5 people found this review helpful

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